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The West View of St. Austins Abbey, in Canterbury, from A Collection of

The West View of St. Austins Abbey, in Canterbury, from A Collection of


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The West View of St. Austins Abbey, in Canterbury, from A Collection of

XYC258621 The West View of St. Austins Abbey, in Canterbury, from A Collection of Engravings of Castles, Abbeys, etc. in England, 1735 (engraving) by Buck, Nathaniel (fl.1727-53) and Samuel (1696-1779); 19.2x37.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: St Augustines abbey, marking the rebirth of Christianity in southern England, was founded shortly after AD 597 by Saint Augustine; Aethelberht, king of Kent allowed Augustine to found a monastery just outside the walls of Canterbury; Ethelbert; dedicated to St Peter and St Paul; 605 AD; 07th; 1538 the abbey fell to the Dissolution of the Monasteries by Henry VIII and was dismantled over the next 15 years); English, out of copyright

Media ID 12774239

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Austin Benedictine Buttress Cloister Gatehouse Kent Monastery Survey Abby


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> Arts > Art Movements > Medieval Art

> Arts > Artists > A > Samuel Austin

> Arts > Artists > K > Samuel King

> Fine Art Finder > Artists > Nathaniel and Samuel (1696-1779) Buck


EDITORS COMMENTS
This print showcases the majestic West View of St. Austins Abbey in Canterbury, England. The engraving, created by Nathaniel and Samuel Buck in 1735, measures 19.2x37.4 cm and is now housed at the Yale Center for British Art as part of the esteemed Paul Mellon Collection. St. Augustine's Abbey holds great historical significance as it marks the revival of Christianity in southern England during AD 597. Founded just outside the walls of Canterbury by Saint Augustine himself, this Benedictine monastery was dedicated to St Peter and St Paul. The image captures the architectural grandeur of this medieval abbey with its towering survey tower, intricate Gothic details, and imposing gatehouse. The ruins stand as a testament to both its former glory and its eventual demise due to Henry VIII's Dissolution of the Monasteries in 1538. One can almost imagine monks silently traversing through cloisters or seeking solace within these ancient walls that once thrived with religious fervor. This enchanting print not only offers a glimpse into English history but also serves as a reminder of the enduring beauty found within our architectural heritage. It transports us back to an era where faith intertwined with artistry, leaving behind an indelible mark on our cultural landscape.

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