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Satirical Print, made by Nathaniel Parr, published by Edward Ryland, 1739 (engraving)

Satirical Print, made by Nathaniel Parr, published by Edward Ryland, 1739 (engraving)


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Satirical Print, made by Nathaniel Parr, published by Edward Ryland, 1739 (engraving)

XJF867970 Satirical Print, made by Nathaniel Parr, published by Edward Ryland, 1739 (engraving) by English School, (19th century); Private Collection; English, out of copyright

Media ID 12940940

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Austrian Succession Devil Earl Orford Expansionist Holy Roman Empire Orford Parliament Peace Portugal Pretender Prime Minister Robert Walpole Sweden Whig Austria Austrian Austrians Expansionism Justice


EDITORS COMMENTS
This satirical print, created by Nathaniel Parr and published by Edward Ryland in 1739, offers a fascinating glimpse into the political landscape of its time. The engraving showcases various European statesmen and symbols, capturing the complex web of alliances and power struggles during the Austrian Succession. In this intricate artwork, we see Cardinal André Hercule de Fleury, a prominent figure in French politics at the time. Surrounding him are representations of Holland, Spain, Great Britain, Portugal, Sweden, Russia, and the Holy Roman Empire – all engaged in negotiations for trade agreements and justice. The central focus is on a lion representing England with devilish horns protruding from its head. This clever caricature suggests British expansionism or perhaps even an underlying critique of their foreign policy ambitions. Amongst these political figures is Robert Walpole (Earl Orford), who served as Prime Minister of Great Britain during this period. As a leading Whig politician known for his peace-oriented policies and efforts to maintain stability within Europe through diplomacy rather than war. This piece serves as both a historical document and an artistic expression of satire. It reminds us that political cartoons have long been used to convey powerful messages about government actions and societal issues. Through Parr's skilled engraving techniques combined with sharp wit and symbolism, this print invites viewers to reflect on the complexities of international relations during one pivotal moment in history.

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