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Mlle Scriwaneck in costume as Satan in "Les Enfers de Paris."
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Mlle Scriwaneck in costume as Satan in "Les Enfers de Paris."
5855450 Mlle Scriwaneck in costume as Satan in "Les Enfers de Paris."; (add.info.: Mlle. Scriwaneck in costume as Satan in "Les Enfers de Paris" at Theatre des Varietes. Augustine-Celestine Scriwaneck (1825-1910) had a "sharp and wiry voice," but played comedies in a very charming and graceful manner.
Handcoloured lithograph by Alexandre Lacauchie from "Galerie Dramatique: Costumes des Theatres de Paris" 1853.); © Florilegius
Media ID 38175592
© © Florilegius / Bridgeman Images
1853 Alexandre Ballet Comedy Dramatique Galerie Lacauchie Performer Satan Theatres Tragedy Varietes
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EDITORS COMMENTS
This handcoloured lithograph captures the talented Mlle Scriwaneck in her iconic role as Satan in "Les Enfers de Paris" at the Theatre des Varietes. Augustine-Celestine Scriwaneck, known for her sharp and wiry voice, brought a unique charm and grace to her performances, even when portraying such a dark and powerful character.
In this image, Mlle Scriwaneck embodies the essence of Satan with striking detail and intensity. Her costume is elaborate and dramatic, perfectly capturing the essence of this iconic character from French theatre history.
The artist Alexandre Lacauchie has beautifully captured Mlle Scriwaneck's portrayal of Satan on stage, showcasing her talent as an actor in this 19th-century production. The intricate details of her costume and expression bring this historical moment to life for viewers today.
As we gaze upon this stunning lithograph, we are transported back in time to witness Mlle Scriwaneck's mesmerizing performance on stage. Her presence exudes power and charisma, making it easy to see why she was such a beloved performer during her time.
This print serves as a reminder of the enduring legacy of Mlle Scriwaneck and her contributions to French theatre. Her portrayal of Satan will forever be remembered as one of her most memorable roles, immortalized in this exquisite work of art.
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