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A Soviet propaganda plate, painted with the profile of Lenin 1922 (porcelain)
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A Soviet propaganda plate, painted with the profile of Lenin 1922 (porcelain)
FIA5378475 A Soviet propaganda plate, painted with the profile of Lenin 1922 (porcelain) by Adamovich, Mikhail (1884-1947); Peterhof Palace, Petrodvorets, St. Petersburg, Russia; (add.info.: the slogan He who does not work does not eat
Adamovich, Mikhail (1884-1947) (after)); Photo © Fine Art Images
Media ID 27996564
© Fine Art Images / Bridgeman Images
Communism Communist Communists Former Soviet Union Homeland Lenin Vladimir Ilitch 1870 1924 Nationalism Nationalist Patriot Patriotic Patriots Propaganda Soviet Russia Soviet Union Soviets Star Stars Symbole Symbolical Representation Symbology Ukrainian Soviet Socialist Republic Union Of Soviet Socialist Republics Ussr Vladimir Iliych Lenin Vladimir Ilyich 1870 1924 Vladimir Ilyich Lenin Vladimir Ilyich Ulyanov Vladimir Lenin 1920s 20s 20s Alphabet Letter Items Symbolic Symbols Thing
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EDITORS COMMENTS
This print showcases a Soviet propaganda plate from 1922, meticulously painted with the profile of Vladimir Lenin. Created by artist Mikhail Adamovich, this porcelain masterpiece is housed in the prestigious Peterhof Palace in Petrodvorets, St. Petersburg, Russia. The plate bears the powerful slogan "He who does not work does not eat" emphasizing the importance of labor and productivity within the communist ideology. The image captures both the historical significance and artistic brilliance of this piece. It represents a pivotal era in Russian history, during which communism was gaining momentum under Lenin's leadership. The vibrant colors and intricate details bring to life the determination and resilience that characterized this period. Lenin's stern yet charismatic visage dominates the composition, symbolizing his influential role as a political leader. The inclusion of an alphabet letter adds depth to its meaning - representing education as a crucial aspect of building a strong nation. This photograph transports us back to early twentieth-century Russia when patriotism and nationalism were at their peak. It serves as a reminder of how art can be used as a tool for political propaganda while also showcasing Adamovich's exceptional talent. Overall, this remarkable artwork encapsulates an important chapter in Russian history while highlighting the fusion between politics and art during that time period.
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