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View of the Cours (from Marseille) during the plague of 1720 (oil on canvas)
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View of the Cours (from Marseille) during the plague of 1720 (oil on canvas)
JEB4961132 View of the Cours (from Marseille) during the plague of 1720 (oil on canvas) by Serre, Michel (1658-1753); Palais de Longchamp, Marseille, France; French, out of copyright
Media ID 22834752
© Bridgeman Images
Brat Contagion Disease Epidemia Epidemic Ethnicity Hitch Hygiene Illness Marseille Outbreak Pandemy Provence Riviera Rhone Mouths 13 Sick Sickness Coupling Ethnography Exterior View Inhabitant Jeanbernard Street View Transport Vehicle
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This oil on canvas painting, titled "View of the Cours (from Marseille) during the plague of 1720" transports viewers back to a grim period in history. Created by Michel Serre in the 18th century, this artwork captures the devastating impact of the plague on Marseille, France. The bustling street scene depicted in vivid detail reveals a city gripped by fear and despair. The artist skillfully portrays a crowd filled with people from various ethnicities and walks of life, highlighting the indiscriminate nature of disease. The streets are lined with carts carrying both goods and bodies, symbolizing the chaos and death that plagued Marseille during this time. Despite its somber subject matter, there is an undeniable beauty to Serre's work. The intricate brushstrokes bring life to every corner of the canvas, capturing not only the physical devastation but also conveying a sense of resilience among its inhabitants. As we gaze upon this historical masterpiece today, it serves as a poignant reminder of humanity's ability to endure even in times of great adversity. It prompts us to reflect on our own fragility while appreciating advancements in medicine and hygiene that have helped prevent such widespread outbreaks in modern times. "View of the Cours (from Marseille) during the plague of 1720" stands as both a testament to human suffering and an enduring tribute to those who lived through one of history's deadliest pandemics.
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