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Noble Lady tartare from Beijing, China. 1873 (engraving)

Noble Lady tartare from Beijing, China. 1873 (engraving)


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Noble Lady tartare from Beijing, China. 1873 (engraving)

7259221 Noble Lady tartare from Beijing, China. 1873 (engraving) by Ronjat, Etienne Antoine Eugene (b.1822); Private Collection; (add.info.: Noble Lady tartare from Beijing. China. Design by E. Ronjat.
1873 ( le Tour du Monde )); Photo ©Jaime Abecasis

Media ID 33091168

© ©Jaime Abecasis / Bridgeman Images

Asiae Ceramics Cermaic Chineze Class System Cultural Cultural Costume Folk Dress Hair Style Hair Styling Hairdo Hairstyles Hairstyling Nationa Costume Nobles Social Class Traditional Clothes Traditional Clothing Traditional Costumes Vases Chineses Noble Societies


FEATURES IN THESE COLLECTIONS

> Asia > China > Beijing

> Europe > France > Tours

> Fine Art Finder > Artists > Etienne Antoine Eugene Ronjat

> Fine Art Finder > Artists > Maurice Sands

> Historic > Cultural festivals and traditions > Ancient cultural practices

> Historic > Cultural festivals and traditions > Cultural traditions

> Historic > Cultural festivals and traditions > Traditional costumes and attire


EDITORS COMMENTS
This engraving, titled "Noble Lady tartare from Beijing, China. 1873" takes us on a journey back in time to the enchanting world of 19th-century China. Created by Etienne Antoine Eugene Ronjat, this exquisite design captures the essence of a noble lady from Beijing with remarkable attention to detail. The image showcases the intricate beauty and elegance of Chinese culture through its portrayal of a woman adorned in traditional attire and hairstyle. Her hairdo is meticulously styled, reflecting the sophistication and artistry that was valued during this era. The delicate features of her face exude grace and poise, while her gaze hints at an air of mystery. Displayed against a black-and-white backdrop, this engraving transports us to another time and place. It serves as a window into both Chinese society and European fascination with distant lands during the late 19th century. The inclusion of ceramic vases adds further depth to the composition, symbolizing tradition and cultural heritage. These elements highlight not only the artistic skill involved in creating such pieces but also their significance within Chinese society. As we admire this print captured by Jaime Abecasis, we are reminded of how art can bridge gaps between different cultures and eras. It invites us to appreciate the rich tapestry woven by human history while igniting our curiosity about distant lands and their unique traditions. In summary, "Noble Lady tartare from Beijing" is an evocative representation that celebrates both Chinese nobility and European appreciation for exoticism during one of history's most fascinating periods.

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