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Page of advertisements (colour litho)

Page of advertisements (colour litho)


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Page of advertisements (colour litho)

3648233 Page of advertisements (colour litho) by Morgan, Matthew " Matt" Somerville (1839-90); Private Collection; (add.info.: Page of advertisements. Illustration for The Tomahawk, 1868.); © Look and Learn

Media ID 23148760

© Look and Learn / Bridgeman Images

Macabre Printing Tomahawk Caricatures


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> Arts > Artists > M > Matt Somerville Morgan

> Arts > Literature > Magazines

> Arts > Pop art > Satire > Humorous artworks

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > Related Images

> Fine Art Finder > Artists > Matthew "Matt" Somerville

> Humour > Cartoon

> Popular Themes > Politics


EDITORS COMMENTS
This vibrant and captivating print titled "Page of advertisements (colour litho)" takes us back to the 19th century, immersing us in a world of humour, satire, and political commentary. Created by Matthew "Matt". Somerville Morgan, this artwork was originally featured in The Tomahawk magazine in 1868. The image showcases a page filled with colourful caricatures, comic illustrations, and witty advertisements. It is a snapshot of the era's popular culture and social climate. With its macabre undertones and satirical edge, it offers a scathing critique on various aspects of British society at the time. The artist's mastery lies in his ability to seamlessly blend elements of costume design, politics, and everyday life into one cohesive piece. Each detail tells a story - from the exaggerated dress styles to the cleverly crafted cartoons that poke fun at politicians and societal norms. As we explore this intriguing composition further, we are reminded of the power that art holds in reflecting upon our history. This print serves as both an amusing visual spectacle and an insightful window into Victorian Britain. With its rich colours and intricate details brought to life through lithography techniques, this artwork continues to captivate viewers even today. It stands as a testament to Matt Morgan's talent as well as his dedication to using art as a means for social commentary during his time.

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