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Recolt of amber grey (Painting, 1570-1572)

Recolt of amber grey (Painting, 1570-1572)


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Recolt of amber grey (Painting, 1570-1572)

LRI4576411 Recolt of amber grey (Painting, 1570-1572) by Naldini, Giovanni Battista (1537-91); Palazzo Vecchio, Florence, Italy; (add.info.: Recolt of amber grey, concretion produced in the intestine of sperm whales Painting by Giovanni Battista Naldini (1537-1591), 1570-1572 Florence, Palazzo Vecchio, Studiolo di Francesco I (Working Cabinet of Francois I de Medici)); Luisa Ricciarini; Italian, out of copyright

Media ID 23721440

© Luisa Ricciarini / Bridgeman Images

Bone Recolate Cinquecento


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> Animals > Mammals > Physeteridae > Sperm Whale

> Animals > Mammals > Sperm Whale

> Arts > Artists > N > Giovanni Battista Naldini

> Europe > Italy > Florence

> Europe > Italy > Paintings

> Europe > Italy > Tuscany > Florence

> Fine Art Finder > Artists > Giovanni Battista Naldini

> Fine Art Finder > Artists > Maso da San Friano


EDITORS COMMENTS
This print showcases the remarkable painting "Recolt of amber grey" by Giovanni Battista Naldini, created between 1570 and 1572. Housed in the prestigious Palazzo Vecchio in Florence, Italy, this masterpiece resides within the Studiolo di Francesco I, also known as the Working Cabinet of Francois I de Medici. Naldini's artwork beautifully captures a moment of discovery and wonderment. The focal point is a young girl delicately holding an exquisite piece of amber grey concretion found in the intestines of sperm whales. This rare substance holds both artistic and scientific significance, making it a fascinating subject for Naldini to depict. The composition skillfully combines elements from nature and human artistry. The serene beach backdrop adds an ethereal touch to the scene while emphasizing our connection with nature's wonders. Through his meticulous brushwork, Naldini brings life to every detail - from the intricate bone structure held by the girl to her contemplative expression. Luisa Ricciarini has expertly captured this iconic artwork through her lens, allowing us to appreciate its beauty even if we cannot witness it firsthand at Palazzo Vecchio. Her photograph preserves not only Naldini's talent but also highlights Ricciarini's own artistic sensibilities. As we admire this image, let us be reminded of how art can transcend time and bring us closer to historical treasures that continue to inspire awe centuries later.

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