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Marriage of Aurangzeb: Brides Party with Dancers and Drummers, c. 1800 (opaque watercolour

Marriage of Aurangzeb: Brides Party with Dancers and Drummers, c. 1800 (opaque watercolour


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Marriage of Aurangzeb: Brides Party with Dancers and Drummers, c. 1800 (opaque watercolour

3086864 Marriage of Aurangzeb: Brides Party with Dancers and Drummers, c.1800 (opaque watercolour, gold, and ink on paper) by Mughal School; 29.21x16.51 cm; Los Angeles County Museum of Art, CA, USA; (add.info.: Folio from the Padshahnama of Abdul Hamid Lahori
Dilras Banu Begum (c. 1622-57) first wife and chief consort of Emperor Aurangzeb who reigned 1658-1707
); Indian, out of copyright

Media ID 18257869

© Los Angeles County Museum of Art, CA, USA / Bridgeman Images

Dynasty Moghal Moghul Mogul Moslem Mughal South Asia South Asian Timurid


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EDITORS COMMENTS
The vibrant and intricate artwork captured in this print titled "Marriage of Aurangzeb: Brides Party with Dancers and Drummers" transports us back to the opulent Mughal era. Created around 1800 by an artist from the Mughal School, this masterpiece showcases a scene from the Padshahnama, a chronicle of Emperor Aurangzeb's reign. In this particular folio, we witness the grand celebration of Emperor Aurangzeb's marriage to Dilras Banu Begum, his first wife and chief consort. The composition is filled with movement and life as dancers gracefully twirl while drummers create a rhythmic beat that resonates through the court. The attention to detail is remarkable; every element is meticulously rendered using opaque watercolor, gold accents, and ink on paper. The rich colors and ornate patterns reflect the splendor of Indian artistry during this period. This painting not only captures a momentous occasion but also provides insight into Mughal court culture. It exemplifies how music played an integral role in celebrations within South Asian society at that time. As we gaze upon this exquisite portrait, we are transported to another world – one where empires flourished, traditions thrived, and artistic expression knew no bounds. It serves as a testament to the beauty and majesty of Indian miniature paintings while offering glimpses into history that continue to captivate our imagination today.

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