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Kwakiutl human face mask, c. 1875 (painted wood)

Kwakiutl human face mask, c. 1875 (painted wood)


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Kwakiutl human face mask, c. 1875 (painted wood)

BCC10265 Kwakiutl human face mask, c.1875 (painted wood) by American School, (19th century); Ipswich Museum, Suffolk, UK; American, out of copyright

Media ID 22680364

© Bridgeman Images

British Columbia North American America Continent Canadians


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Western Mouse

> Arts > Artists > I > Indian School Indian School

> Arts > Fine Art

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Suffolk > Ipswich

> Europe > United Kingdom > England > Suffolk > Related Images

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > American School

> Fine Art Finder > Artists > Louis Wain

> Fine Art Finder > Ethnography

> North America > Canada > Related Images

> North America > Related Images


EDITORS COMMENTS
This photograph captures the intricate details of a Kwakiutl human face mask, believed to have been created around 1875. The mask is made from painted wood and showcases the artistic mastery of the American School in the 19th century. The Kwakiutl people are indigenous to British Columbia, Canada, and this mask represents their rich cultural heritage. It serves as a powerful symbol of their spiritual beliefs and traditions. The artist's attention to detail is evident in every brushstroke, bringing life to the expressive eyes, prominent nose, and delicate mouth. Displayed at Ipswich Museum in Suffolk, UK, this artifact provides viewers with a glimpse into North American history. Its presence reminds us of the deep connection between different cultures across continents. The monochromatic palette adds an air of mystery and timelessness to this image. It invites contemplation about our shared humanity and how art can transcend geographical boundaries. Bridgeman Images has expertly captured this piece through photography without diminishing its beauty or significance. This print allows art enthusiasts worldwide to appreciate its craftsmanship even if they cannot physically visit Ipswich Museum.

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