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Orsatti, Taylor, Bertillon, Roudil, illustration from L assiette au Beurre: La Police, 23rd May 1903 (colour litho)

Orsatti, Taylor, Bertillon, Roudil, illustration from L assiette au Beurre: La Police, 23rd May 1903 (colour litho)


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Orsatti, Taylor, Bertillon, Roudil, illustration from L assiette au Beurre: La Police, 23rd May 1903 (colour litho)

STC397118 Orsatti, Taylor, Bertillon, Roudil, illustration from L assiette au Beurre: La Police, 23rd May 1903 (colour litho) by Camara, Leal de (1877-1948); Private Collection; (add.info.: Alphonse Bertillon (1853-1914); ); The Stapleton Collection

Media ID 25169978

© The Stapleton Collection / Bridgeman Images

Ironic Irony Policemen


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> Arts > Pop art > Irony and satire > Satirical artwork

> Arts > Pop art > Irony > Satirical artwork

> Arts > Pop art > Satire > Satirical artwork

> Fine Art Finder > Artists > Leal de Camara

> Fine Art Finder > Cartoons, Caricatures & Humour


EDITORS COMMENTS
This print titled "Orsatti, Taylor, Bertillon, Roudil" takes us back to the early 20th century and offers a satirical glimpse into the world of French law enforcement. Created by Camara Leal de in 1903 for L'Assiette au Beurre magazine, this colourful lithograph showcases the renowned Alphonse Bertillon alongside his fellow police officers. Bertillon, a pioneering figure in criminal identification systems, stands at the center of attention with his distinctively serious expression. Known for developing anthropometric measurements as a means of identifying criminals, he is depicted here amidst an ironic backdrop that challenges his scientific approach. Surrounding him are Orsatti and Taylor on one side and Roudil on the other – all portrayed with exaggerated features that emphasize their roles as caricatures rather than realistic representations. The cartoon-like quality adds an element of humor to this otherwise serious subject matter. Through this illustration's clever use of satire and irony, it invites viewers to question the effectiveness and limitations of biometrics research within law enforcement. It serves as both a playful critique and homage to these male figures who played significant roles in shaping modern policing methods. Now part of a private collection belonging to The Stapleton Collection, this artwork continues to captivate audiences with its historical significance and artistic brilliance.

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