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Old England, New France, The Contrast, published by Hannah Humphrey
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Old England, New France, The Contrast, published by Hannah Humphrey
NCO253712 Old England, New France, The Contrast, published by Hannah Humphrey, 1796 (coloured engraving) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Things as they are; Englands basis, the British Constitution and the Happiness of the People, Frances basis despotism, terror, blood and oppression; Held up to Enemy and Posterity; ); English, out of copyright
Media ID 23190194
© Bridgeman Images
Columns Democracy Gallows Hanging Hangings Ideals Level Levels Marat Rational Rights Of Man Robespierre Robespierre Maximilien 1758 1794 Santerre
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EDITORS COMMENTS
The captivating print titled "Old England, New France, The Contrast" takes us back to the year 1796 when it was published by Hannah Humphrey. Created by the talented James Gillray, this coloured engraving offers a thought-provoking commentary on the stark differences between two nations during that time. In this satirical masterpiece, Gillray skillfully juxtaposes "Old England" and "New France" highlighting their contrasting foundations and societal values. On one side stands England, represented by its solid basis - the British Constitution - symbolizing stability and happiness for its people. On the other side looms France's foundation of despotism, terror, bloodshed, and oppression. This powerful image serves as a warning to both enemies and future generations about the consequences of such opposing ideologies. It cleverly incorporates elements like ideals, gallows, columns to represent different aspects of society. Gillray's caricature features notable figures such as Thomas Payne alongside French revolutionaries Santerre, Robespierre Maximilien Marat who played significant roles in shaping their respective countries' destinies. Through his masterful use of satire and rationality in depicting these historical events like hangings or levels of democracy; Gillray invites viewers to contemplate fundamental questions surrounding human rights and democracy itself. With this remarkable engraving now preserved at New College Oxford courtesy of Warden Scholars; we are reminded not only of our past but also how art can serve as a timeless reflection on society's progress.
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