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Emperor Augustus (63-14 BC) and the Tiburtine Sibyl, from the Mirror of Salvation Altarpiece, c
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Emperor Augustus (63-14 BC) and the Tiburtine Sibyl, from the Mirror of Salvation Altarpiece, c
XIR219666 Emperor Augustus (63-14 BC) and the Tiburtine Sibyl, from the Mirror of Salvation Altarpiece, c.1435 (oil on panel) by Witz, Konrad (1400/10-44/6); 103x83 cm; Musee des Beaux-Arts, Dijon, France; (add.info.: retable du miroir du salut; l empereur Auguste et la Sybille de Tibur; annunciation of the birth of Christ; Gaius Julius Caesar Octavianus Augustus; ); Swiss, out of copyright
Media ID 12761800
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Altarpiece Announcing Octavian Prophecy Prophetess Seeress Vision
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EDITORS COMMENTS
This print showcases the mesmerizing artwork of Konrad Witz's "Emperor Augustus and the Tiburtine Sibyl" from the Mirror of Salvation Altarpiece. Painted around 1435, this oil on panel masterpiece measures 103x83 cm and is currently housed in the Musee des Beaux-Arts in Dijon, France. The altarpiece depicts a significant moment in history - the annunciation of the birth of Christ. Emperor Augustus, known as Gaius Julius Caesar Octavianus Augustus, stands alongside the Tiburtine Sibyl, a revered prophetess. Their presence symbolizes both ancient Roman power and divine prophecy. Witz's attention to detail is evident in every brushstroke, capturing intricate facial expressions that convey a sense of awe and wonderment. The composition exudes an atmosphere filled with anticipation as these two figures witness a vision that will shape history forever. As we gaze upon this image, we are transported back to Renaissance times when art was used not only for aesthetic pleasure but also as a means to communicate profound religious narratives. Through his skillful portrayal of this scene, Witz invites us to reflect on our own beliefs and contemplate how faith intertwines with historical events. This print serves as a reminder that art has always played an essential role in preserving cultural heritage while simultaneously evoking emotions and inspiring contemplation within its viewers.
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