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Stage Design for Act III of the Opera Montezuma, 1755 (oil on panel)

Stage Design for Act III of the Opera Montezuma, 1755 (oil on panel)


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Stage Design for Act III of the Opera Montezuma, 1755 (oil on panel)

XPH312446 Stage Design for Act III of the Opera Montezuma, 1755 (oil on panel) by Fechhelm, Karl Friedrich (1725-85); Staatliche Schlosser und Garten, Potsdam, Germany; (add.info.: Buehnenbild fuer den 3. Akt der Oper Montezuma, deren Libretto aus der Feder des Koenigs Friedrich II stammt, aus dem Jahre 1755; Opera by Carl Heinrich Graun (1704-59), libretto written by patron King Frederick II the Great of Prussia (1712-86); ); German, out of copyright

Media ID 12845304

© www.bridgemanart.com

Arches Doric Columns Ladder Setting Stairs Steps


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EDITORS COMMENTS
This print showcases the intricate stage design for Act III of the Opera Montezuma, painted by Karl Friedrich Fechhelm in 1755. The oil on panel artwork is currently housed at Staatliche Schlosser und Garten in Potsdam, Germany. The stage design was created for an opera composed by Carl Heinrich Graun and featuring a libretto written by King Frederick II the Great of Prussia himself. This collaboration between two artistic geniuses resulted in a visually stunning production that captivated audiences during its time. In this particular scene, we see a grand architectural setting with doric columns, arches, and a towering structure adorned with stairs and steps. The attention to detail is remarkable as every element contributes to creating a sense of grandeur and drama. Figures dressed in elaborate costumes grace the stage, adding another layer of visual splendor to the composition. A ladder leans against one side of the structure, suggesting movement or action about to take place. The exterior scenery depicted transports viewers into an enchanting world where music intertwines with storytelling. It's evident that Fechhelm's talent lies not only in painting but also in capturing the essence of theatrical magic through his art. This print allows us to appreciate both Fechhelm's skillful brushwork and his ability to bring an entire operatic act to life within a single frame.

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