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Poster for the First Secessionist Exhibition in Vienna in 1898 (censored version)

Poster for the First Secessionist Exhibition in Vienna in 1898 (censored version)


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Poster for the First Secessionist Exhibition in Vienna in 1898 (censored version)

1197711 Poster for the First Secessionist Exhibition in Vienna in 1898 (censored version), 1898 (colour lithograph) by Klimt, Gustav (1862-1918); 64x47 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Media ID 23690622

© Christie's Images / Bridgeman Images

1898 Armed Artist Austrian Austrian Art Austrian Artist Blank Bull Capital Letter Censored Collectibles Collector Copy Space Copyspace Enemies Entertained Entertainment Event Exposition Fighter Gustav Klimt Klimt Language Lithographic Lithoprint Modern Art Negative Concept Printed Prints Secessionist Signifying Skin Symbolism Vienna Austria Austrian Austrians


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> Animals > Farm > Cattle > Related Images

> Animals > Farm > Related Images

> Animals > Mammals > Bovidae > Cattle

> Arts > Artists > Gustav Klimt > Secessionist style

> Arts > Artists > Gustav Klimt > Symbolism in art

> Arts > Artists > Gustav Klimt > Vienna Secession movement

> Arts > Artists > Gustav Klimt

> Arts > Artists > Gustav Klimt

> Arts > Artists > K > Gustav Klimt

> Arts > Minimalist artwork > Negative space > Modern art

> Fine Art Finder > Artists > Gustav Klimt

> Fine Art Finder > Artists > Karl Blossfeldt


EDITORS COMMENTS
This and controversial lithograph, titled "Poster for the First Secessionist Exhibition in Vienna in 1898 (censored version)" showcases Gustav Klimt's artistic prowess and his ability to provoke thought. Created in 1898, this vibrant color lithograph measures 64x47 cm and is part of a private collection. The poster features a powerful image that captures the essence of the exhibition. In the foreground, two men are engaged in an intense fight, armed with spears and shields. The artist skillfully portrays their conflict as a symbolic representation of societal tensions during that period. Klimt's use of bold colors adds depth to the composition while drawing attention to key elements such as the red attire worn by one of the fighters. The presence of farm animals, particularly a bull signifying strength and power, further enhances the visual narrative. However, it is important to note that this particular print is a censored version. Text has been strategically placed over certain areas deemed inappropriate or offensive at that time. This act of censorship only adds to its intrigue and raises questions about freedom of expression within art. As we delve into this late nineteenth-century masterpiece, we are reminded not only of Klimt's exceptional talent but also his role as an influential figure within Austrian art history. This lithographic print stands as both an entertainment event advertisement and a significant piece representing secessionist ideals prevalent during that era. Overall, this artwork serves as a testament to Klimt's ability to challenge societal norms through his unique blend of symbolism and modern art techniques.

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