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Mrs. Herbert Duckworth, April 1867 (albumen print)

Mrs. Herbert Duckworth, April 1867 (albumen print)


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Mrs. Herbert Duckworth, April 1867 (albumen print)

2971446 Mrs. Herbert Duckworth, April 1867 (albumen print) by Cameron, Julia Margaret (1815-79); 34.2x26.3 cm; The Art Institute of Chicago, IL, USA; (add.info.: Lady Margaret Herbert (1870-1958), wife of George Herbert Duckworth, and daughter of Henry Herbert, 4th Earl of Carnarvon.); The Mary and Leigh Block Endowment Fund; English, out of copyright

Media ID 23445408

© The Mary and Leigh Block Endowment Fund / Bridgeman Images

Mrs Herbert Duckworth


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EDITORS COMMENTS
This albumen print, titled "Mrs. Herbert Duckworth, April 1867" captures the timeless beauty and grace of Lady Margaret Herbert. Taken by renowned photographer Julia Margaret Cameron, this portrait showcases Lady Herbert's delicate features in exquisite detail. In this head and shoulders profile shot, Lady Margaret gazes into the distance with an air of elegance and poise. The oval framing adds a touch of classic sophistication to the composition, emphasizing her refined presence. Her eyes exude both wisdom and mystery, inviting viewers to delve deeper into her story. As the wife of George Herbert Duckworth and daughter of Henry Herbert, 4th Earl of Carnarvon, Lady Margaret carries herself with a regal aura that is palpable in this photograph. Her dignified demeanor speaks volumes about her upbringing within aristocratic circles. Cameron's mastery as a photographer shines through in every aspect of this image - from the impeccable lighting to the meticulous attention to detail. The softness and warmth conveyed by the albumen print technique further enhance Lady Margaret's ethereal beauty. Now housed at The Art Institute of Chicago thanks to The Mary and Leigh Block Endowment Fund, this mesmerizing portrait continues to captivate audiences even after more than a century has passed since its creation. It serves as a testament not only to Cameron's skill but also to Lady Margaret's enduring allure as an icon of grace and refinement in Victorian society.

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