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Project for the preface of the 2nd edition of Les Fleurs du Mal

Project for the preface of the 2nd edition of Les Fleurs du Mal


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Project for the preface of the 2nd edition of Les Fleurs du Mal

CHT221602 Project for the preface of the 2nd edition of Les Fleurs du Mal (pen & ink on paper) by Baudelaire, Charles Pierre (1821-67); Private Collection; (add.info.: projets de prefaces pour la seconde edition; originally belonging to Baudelaires editor Auguste Poulet-Malassis (1825-78); Poulet-Malassis was the first to publish Les Fleurs du Mal in 1857; ); eArchives Charmet; French, out of copyright

Media ID 22929496

© Archives Charmet / Bridgeman Images

Baudelaire Charles 1821 1867 Work Publisher Words


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EDITORS COMMENTS
This print showcases the "Project for the preface of the 2nd edition of Les Fleurs du Mal" by Charles Pierre Baudelaire. The intricate pen and ink drawing on paper is a true testament to Baudelaire's artistic genius. The image, which is part of a private collection, offers a glimpse into the creative process behind one of France's most influential literary works. Originally belonging to Baudelaire's editor Auguste Poulet-Malassis, this project for the preface holds historical significance as it was used in the publication of Les Fleurs du Mal in 1857. The delicately crafted lines and meticulous details in this artwork reflect both Baudelaire's mastery as a poet and his profound understanding of visual aesthetics. This piece not only captures his unique style but also serves as an embodiment of his literary prowess. As we delve into this mesmerizing composition, we are transported to 19th-century France – a time when poetry reigned supreme and words held immense power. Through this image, we can almost hear echoes of Baudelaire's verses whispering through the pages. This print from Fine Art Finder allows us to appreciate not only Baudelaire's work but also the beauty that lies within handwritten manuscripts. It reminds us that art can transcend mediums, leaving an indelible mark on our cultural heritage. In short, this image invites us to immerse ourselves in Baudelaire's

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