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The Embarkation of Regulus, Ancient Carthage, engraved by Daniel Wilson (1816-92)
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The Embarkation of Regulus, Ancient Carthage, engraved by Daniel Wilson (1816-92)
XYC160290 The Embarkation of Regulus, Ancient Carthage, engraved by Daniel Wilson (1816-92), 1838-52 (etching) by Turner, Joseph Mallord William (1775-1851) (after); 51.8x63.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12698799
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Bidding Farewell Commander Departure Leaving Romanticism Romanticist Wars First Punic War
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The Embarkation of Regulus
EDITORS COMMENTS
is a captivating print that takes us back to Ancient Carthage, beautifully engraved by Daniel Wilson in the 19th century. This etching, after Joseph Mallord William Turner's original painting, captures a poignant moment as Regulus prepares to depart from the coast of Carthage during the First Punic War. The scene depicts a bustling port with ships and boats ready for departure. As we gaze upon this romantic artwork, we can almost feel the anticipation and bittersweet emotions in the air. The commander stands tall on his vessel, bidding farewell to his loved ones and comrades left behind on the beach. The attention to detail in this engraver's proof is remarkable; every line meticulously etched to convey movement and depth. The composition evokes a sense of grandeur with its sweeping coastline and majestic palace overlooking the harbor. This print not only transports us back in time but also embodies the spirit of Romanticism - an artistic movement that celebrated emotion, nature, and historical narratives. It serves as a reminder of humanity's enduring fascination with epic tales of war and heroism. Now housed at Yale Center for British Art as part of their esteemed Paul Mellon Collection, this print continues to captivate viewers with its timeless beauty. It allows us to immerse ourselves in history while appreciating both Turner's original masterpiece and Wilson's skillful interpretation through engraving techniques.
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