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Two Wigged Men Burlesque the Magna Carta (engraving)
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Two Wigged Men Burlesque the Magna Carta (engraving)
5234111 Two Wigged Men Burlesque the Magna Carta (engraving) by Collier, John (Tim Bobbin) (1708-86); Private Collection; (add.info.: Two Wigged Men Burlesque the Magna Carta. Illustration for Colliers Humans Passions Delineated (John Heywood, 1773).); Look and Learn / Valerie Jackson Harris Collection
Media ID 23271272
© Look and Learn / Valerie Jackson Harris Collection / Bridgeman Images
Caricacture Differences Expression Expressions Facial Gods Plenty John Collier Passion Passions Tim Bobbin Caricatures Characters
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EDITORS COMMENTS
In this intriguing engraving titled "Two Wigged Men Burlesque the Magna Carta" artist John Collier (also known as Tim Bobbin) takes a satirical approach to depict two men in 18th-century England. The image is part of Collier's work for "Colliers Humans Passions Delineated" and offers a scathing satire on the societal differences and facial expressions of the era. The caricatures presented by Collier showcase the stark contrasts between these characters, highlighting their individual passions and personalities. With exaggerated features and comical expressions, he captures the essence of human emotions during that time period. The central focus of this print is undoubtedly the burlesquing of the Magna Carta, an iconic document representing English liberties. Through this act, Collier challenges traditional notions and mocks those who may abuse or disregard such important historical artifacts. This piece serves as both a social commentary on 18th-century society and a testament to Collier's artistic talent in capturing human nature through his satirical drawings. It provides viewers with an opportunity to reflect on how different aspects of life were perceived during that era while also appreciating the wit and creativity behind each stroke. Overall, "Two Wigged Men Burlesque the Magna Carta" stands as a significant example of early 18th-century artistry, offering insight into both cultural attitudes at that time and John Collier's unique perspective as an artist.
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