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On the Banks of the Lago di Como, c. 1796 (wash over graphite on paper)

On the Banks of the Lago di Como, c. 1796 (wash over graphite on paper)


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On the Banks of the Lago di Como, c. 1796 (wash over graphite on paper)

XYC281163 On the Banks of the Lago di Como, c.1796 (wash over graphite on paper) by Girtin, Thomas (1775-1802); 35.9x24.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: Joseph Mallord William Turner (1775-1851) is thought to have contributed to the painting; ); English, out of copyright

Media ID 23211354

© Bridgeman Images

Cascade Grand Tour Hills Italian Landscape Monochrome Ravine Rocky Waterfall


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> Arts > Art Movements > Landscapes

> Arts > Artists > G > Thomas Girtin

> Arts > Artists > S > John Warwick Smith

> Arts > Artists > T > B.W. Turner

> Arts > Artists > T > Joseph Mallord William Turner

> Arts > Artists > William Turner

> Arts > Fine Art

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings

> Fine Art Finder > Artists > John Warwick Smith

> Fine Art Finder > Artists > Thomas Girtin

> Fine Art Finder > Italy


On the Banks of the Lago di Como, c. 1796

EDITORS COMMENTS
is a captivating print that transports viewers to the picturesque beauty of Italy's Lake Como. Created by Thomas Girtin, this artwork showcases his mastery in wash over graphite on paper technique, capturing the essence of nature with delicate precision. The scene depicted in this print is truly breathtaking. A cascading waterfall tumbles down from majestic hills, creating a mesmerizing display of water and mist. The facade of an ancient bridge stands proudly amidst the rugged rocks and lush greenery surrounding it. The mountains loom in the distance, adding grandeur to an already awe-inspiring landscape. This monochrome masterpiece exudes tranquility and serenity as it invites us to immerse ourselves in its serene ambiance. It evokes a sense of calmness as we imagine standing on that very spot, feeling the cool breeze off the lake and listening to the soothing sound of rushing water. It is worth noting that Joseph Mallord William Turner may have contributed to this painting alongside Girtin himself, further enhancing its artistic significance. As we admire this work from Yale Center for British Art's Paul Mellon Collection, we are reminded of how art can transport us across time and space – allowing us to experience distant lands through brushstrokes and shades. This print serves as a testament not only to Girtin's talent but also to our enduring fascination with landscapes and our desire for exploration – perhaps even inspiring future travelers embarking on their own grand tour through

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