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"I can see by the post-mark, it comes from a foreign land"(engraving)
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"I can see by the post-mark, it comes from a foreign land"(engraving)
7191026 " I can see by the post-mark, it comes from a foreign land" (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: " I can see by the post-mark, it comes from a foreign land." Illustration for The Quiver (1876).); © Look and Learn
Media ID 24687330
© Look and Learn / Bridgeman Images
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The captivating engraving titled ""I can see by the post-mark, it comes from a foreign land"" transports us back to the 19th century, where communication was an art form in itself. Created by William Ralston (1848-1911), this exquisite piece captures the essence of receiving news from distant shores. Intriguingly, we witness a gentleman holding a letter with an expression of curiosity and wonderment on his face. The delicate details of the engraving bring to life every line and shadow, emphasizing the importance of this correspondence. The artist skillfully portrays the protagonist's realization that he holds tidings from abroad through careful attention to detail - particularly evident in his gaze fixed upon the postmark. This artwork originally served as an illustration for The Quiver magazine in 1876, showcasing its relevance during a time when newspapers were one's primary source of information. It symbolizes both excitement and anticipation as people eagerly awaited updates from faraway lands. The black-and-white composition adds depth and contrast to this historical scene while evoking nostalgia for simpler times when letters carried personal stories across vast distances. This print serves as a reminder of how communication has evolved over centuries but remains essential in connecting individuals across borders even today. As we admire this enchanting engraving, we are reminded that despite technological advancements, there is still something magical about receiving news via traditional mail – especially when it arrives unexpectedly from foreign lands.
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