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Oval portraits of Horatio Gentileschi, Italian painter, 1563-1639, and Edward Mascall, English portrait artist active during the English Civil War, 1650s
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Oval portraits of Horatio Gentileschi, Italian painter, 1563-1639, and Edward Mascall, English portrait artist active during the English Civil War, 1650s
6338748 Oval portraits of Horatio Gentileschi, Italian painter, 1563-1639, and Edward Mascall, English portrait artist active during the English Civil War, 1650s by Chambars, Thomas (c.1724-89); (add.info.: Oval portraits of Horatio Gentileschi, Italian painter, 1563-1639, and Edward Mascall, English portrait artist active during the English Civil War, 1650s. Copperplate engraving by Thomas Chambars after a portrait by Anthony van Dyke (Gentileschi) and after a portrait by James Gammon (Mascall) from Horace Walpoles Anecdotes of Painting in England, London, 1808.); © Florilegius
Media ID 25140190
© Florilegius / Bridgeman Images
1650s Anecdotes Of Painting In England English Civil War Great Master Horace Walpole Italian Painter Oval Portrait Regency Thomas Chambars Anthony Van Dyke Copperplate Engraving Orazio Gentileschi Thomas Chambers Vandyke
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EDITORS COMMENTS
This print showcases the oval portraits of two renowned artists from different eras, Horatio Gentileschi and Edward Mascall. The composition beautifully captures their artistic prowess and the distinctiveness of their respective periods. Horatio Gentileschi, an Italian painter who lived from 1563 to 1639, is depicted in a masterful portrait by Anthony van Dyke. His image exudes a sense of creativity and depth, reflecting his significant contributions to European art during the Renaissance. In contrast, Edward Mascall represents the English portrait artist active during the tumultuous period of the English Civil War in the 1650s. James Gammon's portrait skillfully captures Mascall's enigmatic persona amidst this politically charged era. The copperplate engraving by Thomas Chambars brings these remarkable portraits to life with intricate detail and precision. It serves as a testament to Chambars' talent as an engraver and his ability to faithfully reproduce such esteemed works. Originally featured in Horace Walpole's "Anecdotes of Painting in England" published in London in 1808, this print offers us a glimpse into both European culture and artistic evolution over time. It stands as a tribute not only to these great masters but also to the enduring power of portraiture as an art form. With its rich history and aesthetic appeal, this print is sure to captivate any admirer of fine art or those interested in exploring different periods within Europe's cultural heritage.
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