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The fox and the stork Illustration for the fable by Jean de la Fontaine
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The fox and the stork Illustration for the fable by Jean de la Fontaine
JLJ4683438 The fox and the stork Illustration for the fable by Jean de la Fontaine. painting by Jean Baptiste Oudry (1686-1755) 1751. Metz, Museum of Fine Arts by Oudry, Jean-Baptiste (1686-1755); Musee des Beaux-Arts, Metz, France; (add.info.: The fox and the stork Illustration for the fable by Jean de la Fontaine. painting by Jean Baptiste Oudry (1686-1755) 1751. Metz, Museum of Fine Arts); Photo ePhoto Josse; French, out of copyright
Media ID 22836854
© Josse / Bridgeman Images
Fable John Of 1621 1695 La Fontaine Artwork Lafontaine Artwork Stork
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This print showcases Jean Baptiste Oudry's exquisite painting, "The Fox and the Stork Illustration for the fable by Jean de la Fontaine". Created in 1751, this masterpiece is housed in the Museum of Fine Arts in Metz, France. Oudry's attention to detail and mastery of color bring this classic fable to life. In this scene, we witness a cunning fox and an elegant stork engaged in a clever game of wits. The fox sits beside a beautifully adorned vase while the stork gazes at it with curiosity. This illustration perfectly captures the essence of Jean de la Fontaine's timeless tale. "The Fox and the Stork" is one of La Fontaine's most beloved fables, teaching us valuable lessons about deceit and retribution. As we admire Oudry's skillful brushstrokes, we are reminded that appearances can be deceiving. The juxtaposition between these two animals symbolizes human nature itself – sometimes sly like a fox or noble like a stork. Through artistry and storytelling, Oudry invites us to reflect on our own actions and choices. This remarkable artwork not only celebrates French literature but also serves as a testament to Oudry's artistic prowess during the 18th century. Its inclusion in museums allows visitors from around the world to appreciate its beauty firsthand. As we delve into this enchanting image captured by Photo Josse, let us immerse ourselves in both visual splendor
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