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Un marche au poissons avec scene de Ecce Homo - A Fish Market with Ecce Homo
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Un marche au poissons avec scene de Ecce Homo - A Fish Market with Ecce Homo
FIA5408010 Un marche au poissons avec scene de Ecce Homo - A Fish Market with Ecce Homo, by Beuckelaer, Joachim (ca. 1533-1574). Oil on wood, 1570. Dimension : 151x202 cm. Nationalmuseum Stockholm by Beuckelaer or Bueckelaer, Joachim (c.1530-73); National Museum, Stockholm, Sweden; Photo eFine Art Images; Netherlandish, out of copyright
Media ID 22563002
© Fine Art Images / Bridgeman Images
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This print captures the essence of a bustling fish market intertwined with a powerful biblical scene. Painted by Joachim Beuckelaer in 1570, "Un marche au poissons avec scene de Ecce Homo" showcases the artist's mastery of capturing both everyday life and religious narratives. The painting depicts a vibrant street scene filled with an array of fish sellers, customers, and various wildlife. Amidst this lively atmosphere, Beuckelaer skillfully incorporates the biblical story of Ecce Homo. The central figure portrays Pontius Pilate presenting Jesus Christ to the crowd as he utters the famous words "Behold the Man". The juxtaposition of mundane activities like trading and selling fish with such a profound moment from Christian history creates an intriguing contrast that invites viewers to contemplate themes of faith, justice, and human nature. Beuckelaer's attention to detail is evident in every brushstroke; from the intricate cityscape in the background to each individual basket overflowing with fresh catch. This Netherlandish masterpiece exemplifies Flemish art during the Renaissance period. Displayed at Nationalmuseum Stockholm, this extraordinary artwork continues to captivate audiences centuries after its creation. Its rich colors and meticulous composition make it an exquisite addition to any art collection or exhibition. Through this print by Bridgeman Images, viewers can appreciate not only Beuckelaer's artistic genius but also delve into deep reflections on religion, society, and our place within them.
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