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A View from the Grecian Temple to Lord Cobhams Pillar, Stowe House Gardens
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A View from the Grecian Temple to Lord Cobhams Pillar, Stowe House Gardens
XJF477688 A View from the Grecian Temple to Lord Cobhams Pillar, Stowe House Gardens, engraved by George Bickham, 1753 (engraving) by Chatelain, Jean Baptiste Claude (1710-71) (after); Private Collection; (add.info.: Charles Bridgeman (d.1738) and John Vanbrugh (1664-1726) designed the Baroque park from 1715 and Capability Brown (1716-83) was head gardener 1741-51. Monument to Richard Temple, 1st Viscount Cobham (1675-1749) who inherited and was responsible for the modifications of the gardens at Stowe House. George Bickham the Younger (c.1706-71)); French, out of copyright
Media ID 12910798
© www.bridgemanart.com
Brown Buckinghamshire Capability Charles Cobham Designed Estate George Grecian John Landscaped Lord Memorial Pillar Richard Stowe Vanbrugh Viscount Bickham Bridgeman Cobhams
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This print titled "A View from the Grecian Temple to Lord Cobhams Pillar, Stowe House Gardens" takes us on a journey through time and beauty. Engraved by George Bickham in 1753, this image captures the essence of the Baroque park at Stowe House Gardens. Designed by Charles Bridgeman and John Vanbrugh in the early 18th century, this landscaped masterpiece showcases their architectural genius. The gardens were further enhanced by Capability Brown, who served as head gardener from 1741 to 1751. The focal point of this enchanting scene is Lord Cobham's Pillar, a magnificent monument dedicated to Richard Temple, the first Viscount Cobham. As we gaze upon it, we can't help but feel a sense of awe and reverence for its grandeur. Surrounded by lush greenery and meticulously manicured lawns, the Grecian Temple stands proudly in the foreground. Its classical design adds an air of elegance to the already picturesque landscape. This print transports us to Buckinghamshire's countryside estate where nature intertwines with human ingenuity. It serves as a reminder of our ability to create breathtaking works of art that harmonize with Mother Nature herself. As we admire this piece captured by Jean Baptiste Claude Chatelain after George Bickham's engraving, let us appreciate not only its aesthetic appeal but also its historical significance. It encapsulates centuries of artistic vision and dedication that have
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