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The Magdalen in a Cave, c. 1650 (oil on canvas)
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The Magdalen in a Cave, c. 1650 (oil on canvas)
488032 The Magdalen in a Cave, c.1650 (oil on canvas) by Lingelbach, Johannes (1622-74); 82.4x112.1 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; The John R. Van Derlip Fund; Dutch, out of copyright
Media ID 23385356
© Minneapolis Institute of Art The John R. Van Derlip Fund / Bridgeman Images
Cave Cavern Cherubim Crucifix Crying Magdalene Mary Magdalen Putti Sorrow Vision Weeping Cherub Cherubs
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The Magdalen in a Cave, c. 1650
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is a captivating oil painting by Johannes Lingelbach that depicts the poignant scene of Mary Magdalene seeking solace and redemption in a secluded cave. The artwork, measuring 82.4x112.1 cm, can be found at the Minneapolis Institute of Arts in Minnesota, USA. In this mesmerizing composition, we witness the saintly figure of Mary Magdalene immersed in deep contemplation amidst an awe-inspiring landscape. With tears streaming down her face and hands clasped together in prayerful devotion, she exudes profound sorrow and remorse for her past sins. The artist skillfully captures the essence of spirituality through various symbolic elements present within the painting. A crucifix stands prominently against the rocky cavern wall, representing Christ's sacrifice and offering hope for salvation to those who seek it earnestly. Hovering above Mary are ethereal angels and cherubs, their celestial presence bringing comfort and reassurance during her time of introspection. The arch framing them adds to the overall sense of divine intervention and heavenly guidance. Lingelbach masterfully portrays both natural beauty and spiritual significance by incorporating a coastal backdrop with crashing waves along the shoreline. This juxtaposition highlights Mary's journey towards enlightenment as she finds solace not only within herself but also within nature's majestic embrace. "The Magdalen in a Cave" is an exquisite testament to faith, repentance, and forgiveness that continues to resonate with viewers today. It serves as a
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