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Evacuation of Malta, published by Hannah Humphrey in 1803 (hand-coloured etching)
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Evacuation of Malta, published by Hannah Humphrey in 1803 (hand-coloured etching)
NCO193137 Evacuation of Malta, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Napoleon Bonaparte (1769-1821) demands the evacuation of British troops from Malta; end of the Peace Treaty of Amiens; ); English, out of copyright
Media ID 22339870
© Bridgeman Images
Alarmed Brandishing Cravat Defeated Feather Little Boney Lost Napoleonic Odour Plume Political Satire Prime Minister Protesting Refusing Revolutionary Wars Smell Speech Bubble Squatting Tricolour William Pitt 1759 1806 Excreting
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EDITORS COMMENTS
The hand-coloured etching titled "Evacuation of Malta" captures a pivotal moment in history with its satirical depiction of the end of the Peace Treaty of Amiens. Created by James Gillray and published by Hannah Humphrey in 1803, this political satire showcases Napoleon Bonaparte demanding the evacuation of British troops from Malta. In this image, we see a range of characters symbolizing different nations and political figures. Napoleon, known as "Little Boney" is depicted squatting on a rock, pinching his nose due to the odour emanating from Britain's surrender. The British Prime Minister at the time, William Pitt, is shown protesting while brandishing his sword. The cartoon-like portrayal adds an element of humor to this historical event. The exaggerated features and comical speech bubbles add depth to the narrative being portrayed. The tricolour feather worn by Napoleon signifies his ambitions for empire-building and collecting territories. This print serves as both a piece of art and a historical document that reflects upon the Napoleonic era and Revolutionary Wars. It highlights themes such as conflict, defeat, surrendering countries, and territorial disputes. With its intricate details and clever symbolism, this hand-coloured etching offers viewers an opportunity to delve into history through visual storytelling. Its inclusion in Oxford's New College collection further emphasizes its significance within artistic circles.
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