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The Contrast or Things as they Are, pub. 1796 (hand coloured engraving)

The Contrast or Things as they Are, pub. 1796 (hand coloured engraving)


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The Contrast or Things as they Are, pub. 1796 (hand coloured engraving)

2966810 The Contrast or Things as they Are, pub. 1796 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; The Stapleton Collection; English, out of copyright

Media ID 23446518

© The Stapleton Collection / Bridgeman Images

Angle Anti Jacobin Blood Columns Commons Comparison Constitutional Monarchy Democracy Despotism Dome Equality Evil Gallows Geometry Good Guillotine Hanging Hangings Honor Ideals Level Levels Liberty Lords Marat New France Old England Oppression Peace Pillory Propaganda Prosperity Rational Rights Of Man Robespierre Robespierre Maximilien 1758 1794 Stake Stormy Sunny Terror Virtue Fear Santerre


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> Architecture > Country > England

> Architecture > Country > France

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> Architecture > Styles > Georgian Architecture

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> Arts > Pop art > Satire > Satirical artwork

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> Europe > United Kingdom > England > Related Images

> Fine Art Finder > Artists > James Gillray


The Contrast or Things as they Are

EDITORS COMMENTS
is a captivating hand-coloured engraving by James Gillray, dating back to 1796. This thought-provoking image offers a striking juxtaposition of contrasting elements, inviting viewers to reflect on the turbulent times of Revolutionary France and its impact on England. The composition features a myriad of symbolic details that convey powerful messages. On one side, we see ships sailing under sunny skies, representing trade and prosperity in England. The crown atop the dome signifies constitutional monarchy and stability. In contrast, the stormy French landscape depicts fear and destruction with gallows, pillory, and guillotine looming ominously. Gillray's satirical genius is evident in his clever use of geometry to highlight disparities between the two nations. The levels are unevenly stacked towards oppression in old France while portraying equality and virtue in old England. This print serves as both political satire and propaganda against revolutionary ideals. It critiques figures like Robespierre and Marat while championing English values such as democracy, rationality, and respect for individual rights. "The Contrast or Things as they Are" captures the essence of this pivotal moment in history when bloodshed was rampant but hope for peace still flickered. It reminds us that even amidst chaos, there remains an enduring desire for justice and freedom. Displayed within private collections today, this engraving continues to inspire contemplation about societal structures, power dynamics, and the consequences of radical ideologies - making it an invaluable piece from Gillray's remarkable

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