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Paper two-fold screen: A Shinto Priest, Three Women and a Child under a Pine Tree
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Paper two-fold screen: A Shinto Priest, Three Women and a Child under a Pine Tree
425401 Paper two-fold screen: A Shinto Priest, Three Women and a Child under a Pine Tree, Edo Period, c.1799-1801 (ink, gold, & colour on paper) by Hokusai, Katsushika (1760-1849); 175x179 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art, Smithsonian Institution; Gift of Charles Lang Freer; Japanese, out of copyright
Media ID 23182756
© Freer Gallery of Art, Smithsonian Institution Gift of Charles Lang Freer / Bridgeman Images
East Asia East Asian Edo Period Kimono Kimonos Pine Screen Screens Shinto Monks Religious Orders
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This print showcases a stunning two-fold screen from the Edo Period, created by the renowned Japanese artist Hokusai. Titled "A Shinto Priest, Three Women and a Child under a Pine Tree" this masterpiece is an exquisite representation of traditional East Asian art. Measuring 175x179 cm, this ink, gold, and color on paper artwork depicts a serene scene under the shade of a majestic pine tree. A Shinto priest stands tall in his religious attire while three women elegantly dressed in kimonos accompany him. The presence of a child adds innocence and purity to the composition. The intricate details and vibrant colors bring life to every element portrayed in this piece. The meticulous brushwork captures the essence of Japan's rich cultural heritage during the Edo Period (c. 1799-1801). This work exemplifies Hokusai's mastery in creating harmonious compositions that evoke tranquility and reverence. Displayed at the Freer Gallery of Art, Smithsonian Institution in the USA, this remarkable artwork was generously gifted by Charles Lang Freer. It serves as an important reminder of Japan's deep-rooted traditions and spiritual practices associated with Shintoism. As you gaze upon this awe-inspiring image, immerse yourself in its beauty and let it transport you to another time - where nature intertwines with spirituality and grace fills every brushstroke.
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