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Portinari Altarpiece, central panel (detail of the angels to the right hand side), c

Portinari Altarpiece, central panel (detail of the angels to the right hand side), c


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Portinari Altarpiece, central panel (detail of the angels to the right hand side), c

897963 Portinari Altarpiece, central panel (detail of the angels to the right hand side), c.1479 (oil on panel) by Goes, Hugo van der (c.1440-82); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Triptyque Portinari.); Netherlandish, out of copyright

Media ID 18256659

© Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

Altarpiece Crowns Early Netherlandish Hands Raised Panel Pearls Triptych Winged Jewels Northern Renaissance


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EDITORS COMMENTS
This print showcases a mesmerizing detail of the angels to the right-hand side of the Portinari Altarpiece's central panel. Painted by Hugo van der Goes in 1479, this masterpiece is housed in the prestigious Galleria degli Uffizi in Florence, Italy. The altarpiece, also known as Triptyque Portinari, is a remarkable example of Netherlandish art from the Northern Renaissance. In this particular section of the painting, we are drawn to two angelic figures adorned with crowns and delicate wings. Their hands are raised gracefully as if engaged in celestial praise or offering blessings upon those who gaze upon them. The level of intricate detail within their features is truly awe-inspiring; every brushstroke brings life to their ethereal beauty. The artist's skillful use of oil on panel allows for vibrant colors and subtle shading that enhance both realism and spiritual symbolism. Pearls and jewels embellish their heavenly attire, adding an extra touch of opulence to these divine beings. As part of a larger triptych composition, this exquisite detail transports viewers back to the 15th century when religious art was at its height. It serves as a testament not only to Van der Goes' talent but also to his ability to evoke deep emotions through his work. This print captures all these elements flawlessly, allowing us to appreciate every nuance and marvel at the sheer brilliance that lies within this early Netherlandish masterpiece.

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