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English gentleman losing a pile of banknotes out his carriage wi, 1900 (chromolithograph)
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English gentleman losing a pile of banknotes out his carriage wi, 1900 (chromolithograph)
7233593 English gentleman losing a pile of banknotes out his carriage wi, 1900 (chromolithograph) by Alken, Henry Thomas (1785-1851); (add.info.: English gentleman losing a pile of banknotes out his carriage window. Mytton watching his London gambling winnings fly away on the road home to Doncaster. Light come, light go. Chromolithographic facsimile of an illustration by Henry Thomas Alkenfrom Memoirs of the Life of the Late John Mytton by Nimrod aka Charles James Apperley, Kegan Paul, London, 1900.)
Media ID 25056218
© Bridgeman Images
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EDITORS COMMENTS
This chromolithograph print from 1900 depicts an English gentleman experiencing a rather unfortunate mishap. As he travels in his elegant carriage through the picturesque countryside, he finds himself losing a pile of banknotes out of the window. The scene captures the moment when his London gambling winnings are literally flying away on the road back to Doncaster. The artwork, created by Henry Thomas Alken, is a facsimile of an illustration featured in "Memoirs of the Life of the Late John Mytton" by Nimrod (Charles James Apperley). It humorously portrays how quickly fortunes can change and emphasizes the fleeting nature of wealth. Set against a backdrop of rolling hills and lush greenery, this image offers a glimpse into high society during early 20th century England. It highlights both the opulence enjoyed by nobility and their penchant for risky games and gambling. The print serves as a reminder that money does not guarantee happiness or stability. In an era where means of conveyance were evolving rapidly, it also reflects on society's fascination with luxury transportation such as carriages. With its vibrant colors and intricate details, this chromolithograph provides viewers with a fascinating snapshot into British culture at that time. It invites us to contemplate themes such as morality, fortune, and societal values while appreciating Alken's artistic talent in capturing these nuances.
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