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Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children
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Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children
NCO190422 Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children, published by G. Humphrey in 1782 (etching) by Gillray, James (1757-1815); 20.3x31.8 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: the devil, dressed as a Quaker, consoles Charles James Fox (1749-1806) and Edmund Burke (1729-97) after they were driven from office; man with the head of a fox; offering a box and dice; giving a rosary and scourge; reference to Burkes conversion to Roman Catholicism; ); English, out of copyright
Media ID 22599584
© Bridgeman Images
Accepting Anthropomorphic Beelzebub Collar Consoling Damned Demon Evil Gifts Gratitude Hanoverian Horns Political Satire Sinful Winged
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EDITORS COMMENTS
The captivating print titled "Crumbs of Comfort, or Old Orthodox restoring Consolation to his Fallen Children" by James Gillray is a remarkable piece of political satire from 1782. In this etching, we witness the devil himself, disguised as a Quaker, offering solace to two prominent figures: Charles James Fox and Edmund Burke. Fox and Burke had recently been ousted from their positions in government, and here they are depicted as fallen children seeking comfort in their defeat. The devil's anthropomorphic appearance with wings, horns, and a moustache adds an eerie yet intriguing element to the composition. In one hand, the devil presents a box and dice symbolizing temptation and sinful indulgence. In the other hand, he offers a rosary and scourge alluding to Burke's conversion to Roman Catholicism. This clever reference highlights the perceived moral downfall of these once influential politicians. Despite its satirical nature, this artwork also conveys themes of gratitude and acceptance. Both Fox and Burke are shown kneeling before the devil with expressions that suggest they are willing recipients of his consolation. Gillray's masterful use of caricature brings depth to this cartoon-like portrayal while shedding light on the political climate during Georgian times. The print serves as a reminder that even those in power can be swayed by temptation or face unexpected setbacks. This thought-provoking image is part of New College Oxford's collection courtesy of Bridgeman Images' Fine Art Finder archives.
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