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Ancient Rome: Captured enemies are harnessed, 1866 (coloured engraving)

Ancient Rome: Captured enemies are harnessed, 1866 (coloured engraving)


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Ancient Rome: Captured enemies are harnessed, 1866 (coloured engraving)

XEE702516 Ancient Rome: Captured enemies are harnessed, 1866 (coloured engraving) by Leutemann, Heinrich (1824-1905); Private Collection; (add.info.: Coloured engraving by Heinrich Leutemann (1824-1905) - Bilder aus dem Altertume (Pictures from Antiquity) 1866); Stefano Bianchetti; German, out of copyright

Media ID 23014448

© Stefano Bianchetti / Bridgeman Images

Antiquit And Xe9 Arm And Xe9 Arma Armata Arme Bianchetti Bouclier Casco Casque Catena Catene Chain Chaine Dicianovesimo Secolo Empire Romain Esercito Guerra Guerre Histoire Impero Romano Incisione Lance Lancia Legion Legionary Legionnaire Ottocento Periodo Antico Prigioniero Prisonnier Reconstitution Replica Riproduzione Roma Antica Romanum Imperium Rome Antique Scudo Storia Storia Antica Victoire Vittoria Gion Gravure Prisoner


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> Europe > Italy > Lazio > Rome

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EDITORS COMMENTS
This coloured engraving by Heinrich Leutemann takes us back to Ancient Rome, offering a glimpse into the harsh realities of war and conquest. Titled "Ancient Rome: Captured enemies are harnessed" the image depicts a scene where defeated foes are being humiliated and subjugated by their Roman conquerors. The attention to detail in this print is remarkable, showcasing the artist's skill in capturing the essence of this historical moment. The prisoners, bound with chains, wear expressions of defeat and resignation as they are forced into servitude. Meanwhile, Roman legionaries stand tall and triumphant, their helmets gleaming under the sunlight. Leutemann's work transports us back to an era when power was measured through military might. It reminds us of the brutal nature of ancient warfare and how it shaped empires like Rome. The weaponry on display - lances, shields, spears - serves as a reminder that victory often came at a great cost. Through this print, we witness not only a visual representation of history but also an exploration of human emotions during times of conflict. It prompts reflection on themes such as domination, triumph over adversaries, and the consequences faced by those who dared challenge mighty civilizations. As we gaze upon this piece from Stefano Bianchetti's private collection today, we can appreciate both its artistic merits and its ability to transport us back in time to experience firsthand one aspect of life in Ancient Rome – capturing enemies for enslavement after battle.

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