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Hydrangea or both sisters. Painting by Berthe Morisot (1841-1895), 1894. Oil on canvas
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Hydrangea or both sisters. Painting by Berthe Morisot (1841-1895), 1894. Oil on canvas
JLJ4686486 Hydrangea or both sisters. Painting by Berthe Morisot (1841-1895), 1894. Oil on canvas. Dim: 0.73 x 0.60m. Paris, Musee d Orsay by Morisot, Berthe (1841-95); Musee d Orsay, Paris, France; (add.info.: Hydrangea or both sisters. Painting by Berthe Morisot (1841-1895), 1894. Oil on canvas. Dim: 0.73 x 0.60m. Paris, Musee d Orsay); Photo ePhoto Josse; French, out of copyright
Media ID 22278298
© Josse / Bridgeman Images
Beauty Accessory Brotherhood Coquetry Femininity Toilet
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EDITORS COMMENTS
This print showcases Berthe Morisot's exquisite painting, "Hydrangea or both sisters" created in 1894. The oil on canvas masterpiece measures 0.73 x 0.60m and is housed in the prestigious Musee d'Orsay in Paris, France. Morisot, a renowned French artist of the Impressionist movement, beautifully captures the essence of femininity and natural beauty through her brushstrokes. In this artwork, two sisters are depicted with delicate hydrangeas adorning their hair as an elegant accessory. The painting exudes a sense of coquetry and sophistication as the women engage in their toilette rituals. Their hairstyles are meticulously styled, reflecting the fashion trends of the time while emphasizing their individuality. Morisot's attention to detail extends beyond just capturing physical appearances; she also explores themes of sisterhood and familial bonds within this piece. The subtle connection between these siblings is palpable as they share a quiet moment together amidst lush botanical surroundings. Through her mastery of light and color, Morisot creates a harmonious atmosphere that transports viewers to late 19th-century France. This artwork serves as a testament to Morisot's talent and contribution to art history. As we admire this remarkable photograph print by Photo Josse, we can appreciate not only its aesthetic appeal but also its historical significance within the broader context of Impressionism and female artists' contributions during that era.
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