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Madonna and Child with Saints (tempera on panel)

Madonna and Child with Saints (tempera on panel)


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Madonna and Child with Saints (tempera on panel)

AII80336 Madonna and Child with Saints (tempera on panel) by Lorenzo Monaco, (Piero di Giovanni) (c.1370-1425); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian, out of copyright

Media ID 23371310

© Bridgeman Images

Alpha Annunciation Crozier International Gothic John The Baptist Omega Triptych


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> Arts > Artists > M > Lorenzo Monaco

> Arts > Fine Art

> Europe > Italy > Florence

> Europe > Italy > Marche > Pesaro

> Europe > Italy > Paintings

> Europe > Italy > Tuscany > Florence

> Europe > Monaco > Paintings

> Fine Art Finder > Artists > (c.1370-1425) Lorenzo Monaco

> Fine Art Finder > Artists > Giovanni Antonio da Pesaro

> Fine Art Finder > Madonna & Child


EDITORS COMMENTS
This print showcases the exquisite artwork of "Madonna and Child with Saints" by Lorenzo Monaco, also known as Piero di Giovanni. Created between 1370 and 1425, this tempera on panel masterpiece is housed in the Galleria dell Accademia & Museo degli Strumenti Musicali in Florence, Italy. The painting depicts a tender moment between Madonna and Child surrounded by saints, angels, and an ethereal atmosphere. The figures are beautifully rendered in the International Gothic style, characterized by delicate details and vibrant colors that bring them to life. In the center of the composition stands Madonna holding Baby Jesus lovingly in her arms. They are flanked by various saints who add depth to the scene. Angels hover above them, their presence symbolizing divine intervention and protection. The artist's meticulous attention to detail is evident throughout the piece; every brushstroke seems purposeful and deliberate. From intricate patterns adorning garments to subtle expressions on each face, Lorenzo Monaco's skill shines through. This triptych format adds a sense of grandeur to the artwork. The left wing features John the Baptist while angels grace both sides of Mary on the right wing. Symbolism abounds with references such as Omega (the end) and Alpha (the beginning), emphasizing Christ's role as savior. With its rich history and spiritual significance, this painting continues to captivate viewers from around the world. It serves as a testament to Lorenzo Monaco's talent as well as an enduring example

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