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Vigilance and Loves Oblivion (oil on canvas)
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Vigilance and Loves Oblivion (oil on canvas)
1216872 Vigilance and Loves Oblivion (oil on canvas) by Garzi, Luigi (1638-1721) (circle of); 139x147 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Formerly attributed to Guido Reni and to Claudio Francesco Beaumont, it is clearly by a follower of Carlo Maratta and has affinities with the art of Luigi Garzi.
); eAshmolean Museum; Italian, out of copyright
Media ID 22267116
© Ashmolean Museum / Bridgeman Images
Cherubim Didactic Lamp Lovelorn Lover Lovestruck Oil Lamp Personification Personifications Pointing Putti Vigilance Vigilant Wreath Allegorical Cherub Cherubs
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This print titled "Vigilance and Loves Oblivion" showcases an oil on canvas masterpiece by Luigi Garzi, a renowned Italian artist from the Baroque era. The painting, measuring 139x147 cm, is housed in the prestigious Ashmolean Museum at the University of Oxford in the UK. Formerly attributed to Guido Reni and Claudio Francesco Beaumont, this artwork is now recognized as being created by a follower of Carlo Maratta with distinct similarities to Garzi's style. The composition features various symbolic elements including an oil lamp, a book, wreaths, and putti (cherubs), all contributing to its allegorical nature. The scene depicts a man and woman engaged in deep contemplation. The man points towards ruins symbolizing love's oblivion while holding a wreath representing vigilance. Meanwhile, the lovestruck woman reads intently from a book beside them. With its didactic undertones and personifications of love and vigilance, this painting offers viewers an opportunity for introspection and reflection on matters of the heart. Its exquisite execution exemplifies Baroque artistry through meticulous attention to detail and skillful use of light and shadow. As we gaze upon this remarkable print captured by Bridgeman Images, we are transported into Garzi's world where emotions intertwine with symbolism to create profound narratives that continue to resonate with audiences today.
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