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Mount Olympus, as seen between Larissa and Baba, plate 22 from Part 4 of
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Mount Olympus, as seen between Larissa and Baba, plate 22 from Part 4 of
STC83240 Mount Olympus, as seen between Larissa and Baba, plate 22 from Part 4 of Views in Greece, engraved by Robert Havell, 1820 (aquatint) by Dodwell, Edward (1767-1832) (after); Private Collection; The Stapleton Collection; English, out of copyright
Media ID 22806504
© The Stapleton Collection / Bridgeman Images
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This print transports us to the majestic landscape of Mount Olympus, as seen between Larissa and Baba. Plate 22 from Part 4 of Views in Greece, this aquatint engraving by Robert Havell in 1820 captures the grandeur and awe-inspiring beauty of this iconic mountain. The image showcases the rugged peaks of Mount Olympus rising proudly against a clear sky. The intricate details etched into the print allow us to appreciate every crevice and contour of this natural wonder. The play of light and shadow adds depth to the scene, highlighting the sheer magnitude of these towering cliffs. As we gaze upon this artwork, we are reminded of the mythological significance that surrounds Mount Olympus. In Greek mythology, it is believed to be home to twelve Olympian gods who ruled over all aspects of human life. This print invites us to imagine ourselves standing at its base, feeling both humbled by its immensity and inspired by its mythical lore. The composition expertly frames Mount Olympus between Larissa and Baba, creating a sense of perspective that draws our eyes towards its snow-capped summit. It serves as a testament to Edward Dodwell's skillful eye for capturing nature's splendor through his engravings. This particular print belongs to a private collection known as The Stapleton Collection and is now available for public viewing thanks to Bridgeman Images' efforts in preserving fine art history. Its timeless appeal continues to captivate viewers with its depiction of one of Greece's most
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