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Cycle of the Life of the Virgin, Birth of the Virgin, c. 1445 (oil on poplar panel)
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Cycle of the Life of the Virgin, Birth of the Virgin, c. 1445 (oil on poplar panel)
XIR414534 Cycle of the Life of the Virgin, Birth of the Virgin, c.1445 (oil on poplar panel) (b/w photo) by Giovanni Francesco da Rimini (c.1420-70); 59.3x29.8 cm; Louvre, Paris, France; (add.info.: Vie de la Vierge, naissance de la Vierge; Nativite; 1280 II; Photo Giraudon 1927; formerly attributed to Venitian School, (15th century) to Gentile da Fabriano (school of) to the Master of the Scenes of the Life of the Virgin; Maitre des Scenes de la Vie de la Vierge; part of an incomplete altarpiece of twelve scenes on the Virgin; ); Italian, out of copyright
Media ID 12876976
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Anne Basin Ceiling Joachim Maids Midwife Midwives Nativity Nimbus Sainte Swaddling Halo Maid
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This print captures a significant moment in the "Cycle of the Life of the Virgin" series by Giovanni Francesco da Rimini. Titled "Birth of the Virgin" this oil painting on poplar panel showcases da Rimini's exceptional talent for storytelling through art. Measuring 59.3x29.8 cm, this masterpiece is housed in the prestigious Louvre Museum in Paris, France. The photograph was taken by Giraudon in 1927 and depicts a scene from an incomplete altarpiece consisting of twelve scenes dedicated to the life of the Virgin Mary. In this particular image, we witness Joachim and Saint Anne, parents of Mary, rejoicing at her birth. A heavenly aura surrounds them as they stand beside their bedchamber, where midwives and maids assist with the newborn baby girl. The wooden basin and tub nearby suggest that preparations were made for this joyous event. The biblical significance is evident as da Rimini skillfully portrays this sacred moment with great attention to detail. Swaddled tightly in cloth, Baby Mary lies peacefully amidst her loving family members. As we gaze upon this remarkable artwork captured beautifully by Fine Art Finder's photography expertise, we are transported back to fifteenth-century Italy when religious devotion inspired such magnificent creations. This print serves as a testament to both Giovanni Francesco da Rimini's artistic brilliance and our enduring fascination with timeless masterpieces like these.
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