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Noli Me Tangere, or the Apparition of Christ to Mary Magdalene, detail of the tomb
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Noli Me Tangere, or the Apparition of Christ to Mary Magdalene, detail of the tomb
XIR444203 Noli Me Tangere, or the Apparition of Christ to Mary Magdalene, detail of the tomb, angels and sleeping soldiers, 1303-05 (fresco) (see also 155974) by Giotto di Bondone (c.1266-1337); Scrovegni (Arena) Chapel, Padua, Italy; (add.info.: Noli Me Tangere, ou Apparition du Christ a Marie-Madeleine, le sepulcre les anges, les soldats endormis; ); Italian, out of copyright
Media ID 12882632
© www.bridgemanimages.com
Asleep Gesturing Leaning Noli Me Tangere Pointing Touch Me Not Trecento
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EDITORS COMMENTS
This print captures a mesmerizing detail of Giotto di Bondone's masterpiece, "Noli Me Tangere, or the Apparition of Christ to Mary Magdalene". The focal point of this image is the intricately painted tomb, adorned with angels and surrounded by sleeping soldiers. Giotto's skillful brushstrokes bring life to these heavenly beings as they sit gracefully on either side of the tomb. With their fingers pointing and gesturing towards it, they seem to be guarding this sacred space. Meanwhile, the soldiers rest soundly in oblivious slumber, unaware of the divine presence that unfolds before them. The title "Noli Me Tangere" meaning "touch me not" alludes to the biblical scene depicted here - when Jesus appears to Mary Magdalene after his resurrection and instructs her not to touch him. This moment is beautifully captured in Giotto's fresco as he masterfully conveys both spiritual and human emotions through his artistry. Located within the Scrovegni (Arena) Chapel in Padua, Italy, this wall painting stands as a testament to Giotto's immense talent during the Trecento period. The vibrant colors and meticulous details showcased in this photograph serve as a reminder of how art can transcend time and continue to inspire awe centuries later. As we gaze upon this remarkable print from Fine Art Finder, we are transported back in time - witnessing an extraordinary encounter between divinity and humanity through Giotto's visionary
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