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Theatre before Moliere: Horace, vetu a Turkish. Role in La soeur, comedy of 1645 by Jean de ROTOEU (1609-1650). Drawing by Henri Allouard (1844-1929). Engraving 1873

Theatre before Moliere: Horace, vetu a Turkish. Role in La soeur, comedy of 1645 by Jean de ROTOEU (1609-1650). Drawing by Henri Allouard (1844-1929). Engraving 1873


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Theatre before Moliere: Horace, vetu a Turkish. Role in La soeur, comedy of 1645 by Jean de ROTOEU (1609-1650). Drawing by Henri Allouard (1844-1929). Engraving 1873

JAB4121832 Theatre before Moliere: Horace, vetu a Turkish. Role in La soeur, comedy of 1645 by Jean de ROTOEU (1609-1650). Drawing by Henri Allouard (1844-1929). Engraving 1873; (add.info.: Theatre before Moliere: Horace, vetu a Turkish. Role in La soeur, comedy of 1645 by Jean de ROTOEU (1609-1650). Drawing by Henri Allouard (1844-1929). Engraving 1873); Photo ©Jaime Abecasis

Media ID 38469280

© ©Jaime Abecasis / Bridgeman Images

Abecasis Imaginary Character 17th Centuries


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EDITORS COMMENTS
This print captures a scene from the theatre before Moliere, showcasing Horace dressed in Turkish attire for his role in the comedy "La soeur" by Jean de Rotrou. The drawing by Henri Allouard beautifully depicts the character's costume and expression, transporting us back to the 17th century when this play was performed. The intricate details of Horace's outfit, complete with a turban and elaborate robes, highlight the attention to historical accuracy in theatrical productions of that time. The engraving from 1873 adds an extra layer of depth to this portrayal, emphasizing the artistry and skill involved in bringing characters like Horace to life on stage. Jean de Rotrou's work is brought to vivid life through this image, offering a glimpse into the world of French theatre during a period of artistic flourishing. The combination of historical accuracy and artistic interpretation makes this print a valuable piece for anyone interested in exploring the rich cultural heritage of European theatre. Overall, this stunning depiction of Theatre before Moliere serves as a reminder of the enduring power and beauty of live performance art throughout history.

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