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Le Vieillard et les Nymphes, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)
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Le Vieillard et les Nymphes, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)
3035598 Le Vieillard et les Nymphes, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection
Media ID 26119846
© The Stapleton Collection / Bridgeman Images
Ancient Greeks Art Deco Art Deco 1910 1939 Barbier Georges 1882 1932 Bare Bathing Bilitis Darkness Erotic George Barbier Holding Hands Homosexuality Homosexuals Lesbian Lesbianism Nymph Ripples Sensual Swim Swimmer Swimming Waterlillies Antique Greece Fireflies Greece Greek Greeks Lovers
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EDITORS COMMENTS
This pochoir print titled "Le Vieillard et les Nymphes" is an exquisite illustration from the renowned collection of Les Chansons de Bilitis by Pierre Louys, published in 1922. Created by the talented artist Georges Barbier, this piece transports us to a night scene filled with sensuality and eroticism. Set against a backdrop of darkness, we witness a group of female nymphs indulging in their ancient Greek rituals. Bathing under the moonlight, they hold hands while surrounded by enchanting water lilies and flickering fireflies that add an ethereal glow to the atmosphere. The ripples on the water's surface reflect their movements as they embrace each other intimately. Barbier's art deco style shines through in every detail, capturing both beauty and desire with his masterful brushstrokes. This particular artwork explores themes of lesbian love and homosexuality during a time when such expressions were often taboo. The delicate portrayal of nudity adds another layer to this evocative composition. It celebrates the natural form while challenging societal norms surrounding nakedness. As we gaze upon this mesmerizing print, we are transported back in time to an era where art dared to push boundaries and challenge conventions. It serves as a reminder that love knows no bounds and that artistic expression has always been at its most powerful when it fearlessly embraces all aspects of human experience.
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