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Cover of "Le Grelot", number 1190, Satirique en Couleurs, 1894_1_28: Les cabotins de charite - Anticlericalism - Teaching, Charite - Sidonie Vaillant
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Cover of "Le Grelot", number 1190, Satirique en Couleurs, 1894_1_28: Les cabotins de charite - Anticlericalism - Teaching, Charite - Sidonie Vaillant
ICA4923584 Cover of " Le Grelot", number 1190, Satirique en Couleurs, 1894_1_28: Les cabotins de charite - Anticlericalism - Teaching, Charite - Sidonie Vaillant, daughter of Auguste Vaillant (1861-1894) - Illustration by Edouard Guillaumin (Pepin) (1842-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", number 1190, Satirique en Couleurs, 1894_1_28: Les cabotins de charite - Anticlericalism - Teaching, Charite - Sidonie Vaillant, daughter of Auguste Vaillant (1861-1894) - Illustration by Edouard Guillaumin (Pepin) (1842-1910)); Photo © Caricadoc
Media ID 25900510
© Caricadoc / Bridgeman Images
Adoption Anarchism Attempt Bomb Bombs Charity Daily Newspaper Dispute Explosive Made Various Misery Newspaper Stand Orphan Pauper State Newspaper A Journal Brawl Caricadoc Imam Journalism Religious Orders Religious Role
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EDITORS COMMENTS
The print titled "Cover of 'Le Grelot', number 1190, Satirique en Couleurs, 1894_1_28: Les cabotins de charite - Anticlericalism - Teaching, Charite" captures a powerful moment in history. The image depicts Sidonie Vaillant, the daughter of Auguste Vaillant, surrounded by chaos and violence. Created by Edouard Guillaumin (Pepin), this illustration showcases the societal tensions and political unrest that plagued France during the late nineteenth century. In this thought-provoking artwork, we witness a clash between religious orders and those advocating for social change. Sidonie represents innocence amidst turmoil as she stands at the center of a brawl involving clergy members from different faiths. The engraving skillfully portrays the struggle between tradition and progressivism. The presence of a bomb symbolizes anarchism and highlights the desperate measures some were willing to take to challenge established norms. Poverty-stricken individuals are depicted in caricature form, emphasizing their struggles within society. This image serves as a reminder of the power dynamics at play during this era—a time when religion clashed with emerging ideologies seeking justice and equality. It also sheds light on how art was used as a medium for social commentary. Captured through Bridgeman Images' lens, this historical photograph invites us to reflect on past conflicts while encouraging dialogue about our present-day challenges surrounding religion, politics, poverty, and activism.
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