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A view of the Archbishop of Canterburys Palace at Lambeth, Surrey (engraving)
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A view of the Archbishop of Canterburys Palace at Lambeth, Surrey (engraving)
602560 A view of the Archbishop of Canterburys Palace at Lambeth, Surrey (engraving) by Robertson, George Edward (1864-1926); Private Collection; (add.info.: A view of the Archbishop of Canterburys Palace at Lambeth, London, Surrey; published 1 January 1781); Look and Learn / Peter Jackson Collection
Media ID 23239682
© Look and Learn / Peter Jackson Collection / Bridgeman Images
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EDITORS COMMENTS
This engraving by George Edward Robertson offers a glimpse into the grandeur of the Archbishop of Canterbury's Palace at Lambeth, Surrey. The image transports us back to 1 January 1781, immersing us in a scene that exudes both tranquility and majesty. The focus of the print is on the palace's exquisite architecture, with its elegant buildings standing tall amidst lush gardens and towering trees. The meticulously detailed depiction showcases the intricate design elements that make this historic structure an architectural marvel. Intriguingly, horses can be seen in the foreground, adding a touch of liveliness to the otherwise serene setting. Their presence hints at bustling activity within these hallowed grounds. The attire worn by figures scattered throughout the scene provides insight into fashion trends of that era. It serves as a reminder that this place was not only steeped in religious significance but also played host to social gatherings and important events. Beyond its aesthetic appeal, this engraving holds scientific value as well. Its inclusion in botanical collections speaks to its relevance in botany and natural history studies during Robertson's time. It stands as a testament to scientific methods employed for documenting architectural wonders alongside advancements made in various fields. Overall, this print captures not just one moment frozen in time but also encapsulates centuries worth of history and cultural significance associated with Lambeth Palace.
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