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Study for Jezebel and Ahab, c. 1862 (black chalk on blue paper)

Study for Jezebel and Ahab, c. 1862 (black chalk on blue paper)


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Study for Jezebel and Ahab, c. 1862 (black chalk on blue paper)

1631774 Study for Jezebel and Ahab, c.1862 (black chalk on blue paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK; eLeighton House; English, out of copyright

Media ID 23555154

© Leighton House / Bridgeman Images

Ahab Faces Heads Jezebel Studies Hebrew Bible


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > House Mouse

> Arts > Artists > L > Frederic Leighton

> Arts > Realistic drawings > Portrait drawings > Fine art

> Europe > United Kingdom > England > London > Boroughs > Kensington and Chelsea

> Europe > United Kingdom > England > London > Museums > Leighton House

> Europe > United Kingdom > England > London > Towns > Chelsea

> Europe > United Kingdom > England > London > Towns > Kensington

> Fine Art Finder > Artists > Frederic Leighton

> Fine Art Finder > Drawings & Studies

> Popular Themes > Religious Images


EDITORS COMMENTS
This black chalk drawing on blue paper, titled "Study for Jezebel and Ahab" is a remarkable piece by the renowned artist Frederic Leighton. Created in 1862, this study showcases Leighton's exceptional talent in capturing the essence of biblical characters with great precision. The focal point of the artwork is a female face, believed to represent Jezebel from the Old Testament. The intricate details of her features reveal Leighton's meticulous approach to his craft. Every stroke of black chalk brings life to her expression, conveying both strength and vulnerability. Adjacent to Jezebel's portrait is another head study, possibly depicting Ahab, who was known as one of the most notorious kings in biblical history. This juxtaposition suggests an exploration of their complex relationship and its significance within religious narratives. Leighton's choice of medium adds depth and intensity to these studies. The contrast between the dark chalk lines against the vivid blue background creates a visually striking composition that draws viewers into an intimate encounter with these ancient figures. Displayed at London's prestigious Leighton House Museum, this artwork stands as a testament to Leighton's mastery and his ability to breathe life into characters from religious texts. It serves as a reminder not only of our rich cultural heritage but also invites contemplation on themes such as power dynamics, faith, and human nature found within Christian teachings.

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