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The Bapstesel zu Rom (The Papal Asse or The Pope Asse of Rome), by Cranach, Lucas
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The Bapstesel zu Rom (The Papal Asse or The Pope Asse of Rome), by Cranach, Lucas
FIA4713372 The Bapstesel zu Rom (The Papal Asse or The Pope Asse of Rome), by Cranach, Lucas, the Elder (1472-1553). Woodcut, 1523. Private Collection by Cranach, Lucas, the Elder (1472-1553); Private Collection; (add.info.: The Bapstesel zu Rom (The Papal Asse or The Pope Asse of Rome), by Cranach, Lucas, the Elder (1472-1553). Woodcut, 1523. Private Collection); Photo eFine Art Images; German, out of copyright
Media ID 22837536
© Fine Art Images / Bridgeman Images
Calvin Graphic Arts Hell Indulgence Luther Protestantism Reformation Allegory And Literature
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This print showcases "The Bapstesel zu Rom (The Papal Asse or The Pope Asse of Rome)" by Lucas Cranach the Elder, a renowned German Renaissance artist. Created in 1523 as a woodcut, this artwork is part of a private collection and depicts an intriguing blend of history, mythology, and religious symbolism. In this satirical piece, Cranach presents a scathing critique of the Catholic Church during the time of the Reformation. The image portrays a donkey with the head of Pope Leo X wearing papal regalia. This clever allegory represents the corruption and greed associated with indulgences – pardons sold by the church to absolve sins. Cranach's work reflects his support for Martin Luther's Protestant movement and serves as an important historical document from that era. It captures both the tension between Catholicism and Protestantism in Germany at that time and highlights Cranach's skillful use of graphic arts to convey powerful messages. "The Bapstesel zu Rom" also draws inspiration from medieval literature and folklore surrounding hellish creatures like Balaam's ass. By blending these elements together, Cranach creates an impactful visual representation that resonates even today. This print allows viewers to appreciate not only Cranach's artistic talent but also his role as a social commentator during one of Europe's most transformative periods – when religion was at its core.
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