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Noblewoman from Naples and bourgeois woman of Rome, late 16th century. From miniature paintings in the Stammbuch (Friendship Book) of Andreas Heidenreich by Pidenegg
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Noblewoman from Naples and bourgeois woman of Rome, late 16th century. From miniature paintings in the Stammbuch (Friendship Book) of Andreas Heidenreich by Pidenegg
FLO4644475 Noblewoman from Naples and bourgeois woman of Rome, late 16th century. From miniature paintings in the Stammbuch (Friendship Book) of Andreas Heidenreich by Pidenegg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.; (add.info.: Noblewoman from Naples and bourgeois woman of Rome, late 16th century. From miniature paintings in the Stammbuch (Friendship Book) of Andreas Heidenreich by Pidenegg. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.); © Florilegius
Media ID 38244286
© © Florilegius / Bridgeman Images
Bourgeoisie Campania Campania Region Chromolithographie ( Chromo ) Chromolithography (chromo) Coiffure Collerette Eventail Fraise (collerette) Hairdo Hairstyles Hairstyling Italie Latium Metropolitan City Of Naples Naples Noblesse Region De Campanie Strawberry
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EDITORS COMMENTS
This chromolithograph captures the elegance and sophistication of two women from different social classes in late 16th century Italy. The noblewoman from Naples exudes grace and refinement with her elaborate gown, intricate jewelry, and regal posture. Her attire reflects her high status and impeccable taste, showcasing the luxurious fabrics and ornate details that were favored by the aristocracy during this period.
In contrast, the bourgeois woman of Rome is depicted in a more modest yet stylish ensemble that still conveys her wealth and social standing. Her attire may be simpler than that of the noblewoman, but it is no less elegant or fashionable. The subtle differences in their clothing speak to the nuances of class distinctions in Renaissance society, where one's wardrobe could serve as a visual indicator of one's rank and status.
The miniature paintings from which these figures are derived were originally featured in the Stammbuch (Friendship Book) of Andreas Heidenreich by Pidenegg, offering a glimpse into the artistic tastes and cultural norms of the time. Through this exquisite illustration by Dr. Jakob Heinrich von Hefner-Alteneck, we are transported back to an era defined by opulence, sophistication, and sartorial splendor.
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