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Emperor Alexander pays tribute to the high priest Jaddus
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Emperor Alexander pays tribute to the high priest Jaddus
JEB4893005 Emperor Alexander pays tribute to the high priest Jaddus. Painting attributed to Jacopo Amigoni (or Giacomo Amiconi, 1682-1752), 18th century. Dim: 94, 5x112, 5cm. Oil on canvas. Musee de l hospice Saint-Roch, Issoudun (Inv 8578). Mandatory mention: by Amigoni, Jacopo (c. 1675-1752); (add.info.: Emperor Alexander pays tribute to the high priest Jaddus. Painting attributed to Jacopo Amigoni (or Giacomo Amiconi, 1682-1752), 18th century. Dim: 94, 5x112, 5cm. Oil on canvas. Musee de l hospice Saint-Roch, Issoudun (Inv 8578). Mandatory mention:); eJean Bernard; Italian, out of copyright
Media ID 23338090
© Jean Bernard / Bridgeman Images
Alexander The Great 356 323 Bc Macedoine Grece Jeanbernard
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Emperor Alexander pays tribute to the high priest Jaddus
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. This print captures a significant moment in history as Emperor Alexander pays homage to the esteemed high priest Jaddus. The painting, attributed to Jacopo Amigoni (or Giacomo Amiconi), is believed to have been created during the 18th century. Measuring at an impressive 94.5x112.5cm, this oil on canvas masterpiece can be found at the Musee de l'hospice Saint-Roch in Issoudun (Inv 8578). Its grandeur and attention to detail make it a true treasure of art. The scene depicted showcases Emperor Alexander, known as Alexander the Great, demonstrating his respect for religious authority by bowing before High Priest Jaddus. This gesture symbolizes unity between political and spiritual power during ancient times. Amidst a backdrop of Greek architecture and lush greenery, this painting transports viewers back in time to witness this historic encounter firsthand. It serves as a reminder of the intricate relationship between kingship and religion throughout history. Attributed to Italian artist Jacopo Amigoni (c. 1675-1752), this artwork exemplifies his mastery of capturing human emotions through paint strokes. With its rich colors and meticulous details, it stands as a testament to Amigoni's skillful craftsmanship. As we admire this remarkable piece from Jean Bernard's collection, we are reminded of how art has the power not only to preserve historical moments but
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