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Reception of the French Ambassador by the Grand Vizier in Constantinople (oil on canvas)
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Reception of the French Ambassador by the Grand Vizier in Constantinople (oil on canvas)
XIR168102 Reception of the French Ambassador by the Grand Vizier in Constantinople (oil on canvas) by Smith, Francis (fl.1763-80); Musee de la Marine, Marseille, France; (add.info.: French ambassador in Constantinople 1754-68; French statesman and diplomat; Foreign Minister from 1774 during the reign of Louis XVI; Pera Museum, Istanbul; Charles Gravier de Vergennes (1717-87); Comte de Vergennes; ); British, out of copyright
Media ID 12737211
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Ambassador Diplomacy Diplomat Formal Istanbul Ottoman
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The captivating oil on canvas print titled "Reception of the French Ambassador by the Grand Vizier in Constantinople" transports us back to a significant moment in history. Painted by Francis Smith, this artwork captures the meeting between Charles Gravier de Vergennes, the French ambassador in Constantinople from 1754 to 1768, and the Grand Vizier. Set against an opulent interior backdrop, we witness a scene filled with cultural richness and diplomatic significance. The ambassador is dressed in traditional attire befitting his role as he engages in formal diplomacy with the Ottoman Empire. This encounter symbolizes not only a meeting of two nations but also represents the Franco-Ottoman alliance that played a crucial role during this period. The painting beautifully depicts the grandeur and intricacies of Islamic architecture prevalent throughout Istanbul at that time. It serves as a visual testament to both artistic skill and historical accuracy. Displayed at Musee de la Marine in Marseille, France, this print offers viewers an opportunity to delve into centuries-old diplomatic relations while appreciating Smith's attention to detail and mastery of capturing human emotions through brushstrokes. As we gaze upon this remarkable piece, we are reminded of how art can transport us across time and space, allowing us to witness pivotal moments like these firsthand.
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