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Portrait of Ferdinand II (1529-1595), Archduke of Austria
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Portrait of Ferdinand II (1529-1595), Archduke of Austria
FIA5409541 Portrait of Ferdinand II (1529-1595), Archduke of Austria by Scrots, Guillaume (fl.1537-53); Kunsthistorisches Museum, Vienna, Austria; (add.info.: Ferdinand II de Tyrol, archiduc d Autriche - Portrait of Ferdinand II (1529-1595), Archduke of Austria, by Scrots (Scrotes, Stretes), William (Guillim) (active 1537-1553). Oil on wood, c. 1544. Art History Museum, Vienne); Photo eFine Art Images; Flemish, out of copyright
Media ID 22778338
© Fine Art Images / Bridgeman Images
Tyrol Austria Austrian Austrians Flemish Art
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EDITORS COMMENTS
This portrait captures the essence of Ferdinand II, Archduke of Austria, in all his regal splendor. Painted by Guillaume Scrots during the Renaissance period, this masterpiece showcases the archduke's dignified and aristocratic presence. Ferdinand II, known as Ferdinand II de Tyrol, was a prominent figure in Austrian history. The painting depicts him with an air of confidence and youthfulness that reflects his position as a member of European nobility. His face is rendered with remarkable detail, highlighting his piercing gaze and strong features. The archduke's attire further emphasizes his status and elegance. He wears a magnificent costume adorned with intricate patterns and luxurious fabrics. A hat sits atop his head, adding to the overall grandeur of his appearance. Scrots' Flemish artistry shines through in this portrait, showcasing his mastery in capturing both physical likeness and inner character. The use of oil on wood creates depth and texture that brings Ferdinand II to life on canvas. Now housed at the Kunsthistorisches Museum in Vienna, Austria, this print allows us to appreciate not only the artistic brilliance but also the historical significance behind Ferdinand II's reign. It serves as a reminder of Europe's rich cultural heritage during the 16th century. This print from Bridgeman Images offers viewers an opportunity to delve into history while marveling at one man's commanding presence immortalized by Scrots' brushstrokes.
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