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Ford Madox Brown Collection (page 2)

178 items

Background imageFord Madox Brown Collection: Study for The Spirit of Justice (pencil, w/c & bodycolour on paper)

Study for The Spirit of Justice (pencil, w/c & bodycolour on paper)
MAN63021 Study for The Spirit of Justice (pencil, w/c & bodycolour on paper) by Brown, Ford Madox (1821-93); 75.7x51.7 cm; Manchester Art Gallery

Background imageFord Madox Brown Collection: Family Group (The Bromley Family) 1844 (oil on canvas)

Family Group (The Bromley Family) 1844 (oil on canvas)
MAN189699 Family Group (The Bromley Family) 1844 (oil on canvas) by Brown, Ford Madox (1821-93); 142x103 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageFord Madox Brown Collection: Seated woman (oil on canvas)

Seated woman (oil on canvas)
MAN443316 Seated woman (oil on canvas) by Renoir, Pierre Auguste (1841-1919); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageFord Madox Brown Collection: The English Boy, 1860 (oil on canvas)

The English Boy, 1860 (oil on canvas)
MAN62932 The English Boy, 1860 (oil on canvas) by Brown, Ford Madox (1821-93); 39.6x33.3 cm; Manchester Art Gallery, UK; (add.info)

Background imageFord Madox Brown Collection: The Disputed Toll, 1875 (oil on canvas)

The Disputed Toll, 1875 (oil on canvas)
MAN329191 The Disputed Toll, 1875 (oil on canvas) by Hardy, Heywood (1842-1933); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageFord Madox Brown Collection: The Incorrigible, 1879 (oil on canvas)

The Incorrigible, 1879 (oil on canvas)
MAN277415 The Incorrigible, 1879 (oil on canvas) by Burr, John (1831-93); 91.3x71.2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageFord Madox Brown Collection: Madeline Scott, 1883 (oil on canvas)

Madeline Scott, 1883 (oil on canvas)
MAN277414 Madeline Scott, 1883 (oil on canvas) by Brown, Ford Madox (1821-93); 122.1x78.5 cm; Manchester Art Gallery, UK; (add.info)

Background imageFord Madox Brown Collection: A Peasant Girl Gathering Faggots in a Wood, 1782 (oil on canvas)

A Peasant Girl Gathering Faggots in a Wood, 1782 (oil on canvas)
MAN35481 A Peasant Girl Gathering Faggots in a Wood, 1782 (oil on canvas) by Gainsborough, Thomas (1727-88); 169x123 cm; Manchester Art Gallery

Background imageFord Madox Brown Collection: Work: Workman with Carnation in his Mouth, 1852-65 (oil on canvas) (see also 198054 & 100701)

Work: Workman with Carnation in his Mouth, 1852-65 (oil on canvas) (see also 198054 & 100701)
MAN63030 Work: Workman with Carnation in his Mouth, 1852-65 (oil on canvas) (see also 198054 & 100701) by Brown, Ford Madox (1821-93); Manchester Art Gallery, UK; (add.info.: Navvies laying a drain)

Background imageFord Madox Brown Collection: Apples and oranges, 1895 (oil on canvas)

Apples and oranges, 1895 (oil on canvas)
JLJ4597159 Apples and oranges, 1895 (oil on canvas) by Cezanne, Paul (1839-1906); 74x93 cm; Musee d'Orsay, Paris, France; (add.info.: Apples and oranges. Painting by Paul Cezanne (1839 - 1906), 1895

Background imageFord Madox Brown Collection: The Last Look at England, 1855 (oil on canvas)

The Last Look at England, 1855 (oil on canvas)
JLJ4603861 The Last Look at England, 1855 (oil on canvas) by Brown, Ford Madox (1821-93); 81x73 cm; Birmingham Museums and Art Gallery; (add.info.: The Last Look at England)

Background imageFord Madox Brown Collection: 7388121

7388121

Background imageFord Madox Brown Collection: 7388033

7388033

Background imageFord Madox Brown Collection: Graphic by Randolph Caldecott

Graphic by Randolph Caldecott
3524016 Graphic by Randolph Caldecott by Caldecott, Randolph (1846-86); (add.info.: Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator

Background imageFord Madox Brown Collection: Allegory of Love Conquering Lust (oil on canvas)

Allegory of Love Conquering Lust (oil on canvas)
1254388 Allegory of Love Conquering Lust (oil on canvas) by Garzi, Luigi (1638-1721); 75.7x62.9 cm; Private Collection; Photo © Christies Images

Background imageFord Madox Brown Collection: The Stages of Cruelty, 1890 (watercolour and bodycolour with pen and black ink)

The Stages of Cruelty, 1890 (watercolour and bodycolour with pen and black ink)
1216889 The Stages of Cruelty, 1890 (watercolour and bodycolour with pen and black ink) by Brown, Ford Madox (1821-93); 35.5x29.4 cm; Ashmolean Museum, University of Oxford

Background imageFord Madox Brown Collection: Constantinople, (pencil and watercolour heightened with white)

Constantinople, (pencil and watercolour heightened with white)
651487 Constantinople, (pencil and watercolour heightened with white) by MacWhirter, John (1839-1911); 34.6x53 cm; Private Collection; (add.info.: Constantinople. John MacWhirter (1839-1911)

Background imageFord Madox Brown Collection: Tells Son: A Portrait of the Artists Grandson, (oil on canvas)

Tells Son: A Portrait of the Artists Grandson, (oil on canvas)
651480 Tells Son: A Portrait of the Artists Grandson, (oil on canvas) by Brown, Ford Madox (1821-93); 40.7x36.8 cm; Private Collection; (add.info.: Tells Son: A Portrait of the Artists Grandson)

Background imageFord Madox Brown Collection: Noli Me Tangere, c. 1864 (stained glass)

Noli Me Tangere, c. 1864 (stained glass)
3474740 Noli Me Tangere, c.1864 (stained glass) by Westlake, Nathaniel (1833-1921); St John The Baptist, Cookham Dean, UK; eAlastair Carew-Cox; English, out of copyright

Background imageFord Madox Brown Collection: Archangel Michael, 1862 (stained glass)

Archangel Michael, 1862 (stained glass)
3474733 Archangel Michael, 1862 (stained glass) by Brown, Ford Madox (1821-93); St. Michael and All Angels, Brighton, Sussex, UK; (add.info.: Manufactured by Morris, Marshall)

Background imageFord Madox Brown Collection: An Idyll (charcoal on paper)

An Idyll (charcoal on paper)
451296 An Idyll (charcoal on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; eBirmingham Museums Trust; English, out of copyright

Background imageFord Madox Brown Collection: The Last of England, 1852-55 (oil on panel)

The Last of England, 1852-55 (oil on panel)
BIR451292 The Last of England, 1852-55 (oil on panel) by Brown, Ford Madox (1821-93); Birmingham Museums and Art Gallery; (add.info.: Ford and Emma Madox Brown; ); English, out of copyright

Background imageFord Madox Brown Collection: The Annunciation, 1861 (stained glass)

The Annunciation, 1861 (stained glass)
MOK120136 The Annunciation, 1861 (stained glass) by Morris, William (1834-96); All Saints Church, Selsley, Gloucestershire

Background imageFord Madox Brown Collection: The Nativity, 1861 (stained glass)

The Nativity, 1861 (stained glass)
MOK120135 The Nativity, 1861 (stained glass) by Brown, Ford Madox (1821-93); All Saints Church, Selsley, Gloucestershire, UK; (add.info.: commissioned from Morris)

Background imageFord Madox Brown Collection: Quest for the Holy Grail Tapestries - Panel 5 - The Ship, 1900

Quest for the Holy Grail Tapestries - Panel 5 - The Ship, 1900
BIR100711 Quest for the Holy Grail Tapestries - Panel 5 - The Ship, 1900 by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info.: Designers: Edward Burne-Jones)

Background imageFord Madox Brown Collection: Chaucer at the Court of Edward III - Study, 1845 (pencil on paper)

Chaucer at the Court of Edward III - Study, 1845 (pencil on paper)
BIR100710 Chaucer at the Court of Edward III - Study, 1845 (pencil on paper) by Brown, Ford Madox (1821-93); Birmingham Museums and Art Gallery; (add.info)

Background imageFord Madox Brown Collection: Infants Repast - Study of a Mother and Child with separate Arm

Infants Repast - Study of a Mother and Child with separate Arm
BIR100708 Infants Repast - Study of a Mother and Child with separate Arm and Leg Studies of the Child, 1848 (chalk on paper) by Brown

Background imageFord Madox Brown Collection: The Calling of St. Peter and St. Andrew, c. 1626-30 (oil on canvas)

The Calling of St. Peter and St. Andrew, c. 1626-30 (oil on canvas)
FIT58808 The Calling of St. Peter and St. Andrew, c.1626-30 (oil on canvas) by Cortona, Pietro da (Berrettini) (1596-1669); 28.7x57.4 cm; Fitzwilliam Museum, University of Cambridge

Background imageFord Madox Brown Collection: The Last of England, 1860 (oil on canvas)

The Last of England, 1860 (oil on canvas)
FIT58804 The Last of England, 1860 (oil on canvas) by Brown, Ford Madox (1821-93); 47.7x43.8 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Background imageFord Madox Brown Collection: Edward VI (1537-53), c. 1790 (pen & ink and w / c on paper)

Edward VI (1537-53), c. 1790 (pen & ink and w / c on paper)
BAL3840 Edward VI (1537-53), c.1790 (pen & ink and w/c on paper) by Austen, Cassandra (c.1772-1845); Private Collection; English, out of copyright

Background imageFord Madox Brown Collection: The Last of England, 1852-55 (oil on panel)

The Last of England, 1852-55 (oil on panel)
BIR3819 The Last of England, 1852-55 (oil on panel) by Brown, Ford Madox (1821-93); 82.5x75 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageFord Madox Brown Collection: William Wests Observatory, Clifton

William Wests Observatory, Clifton
BAG12148 William Wests Observatory, Clifton by Tovey, Samuel Griffiths (fl.1847-65); Bristol Museum and Art Gallery, UK; (add.info)

Background imageFord Madox Brown Collection: The Pretty Baa-Lambs, 1851-59 (oil on panel)

The Pretty Baa-Lambs, 1851-59 (oil on panel)
BIR7866 The Pretty Baa-Lambs, 1851-59 (oil on panel) by Brown, Ford Madox (1821-93); 61x76.2 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageFord Madox Brown Collection: Work, 1863 (oil on canvas)

Work, 1863 (oil on canvas)
BIR100701 Work, 1863 (oil on canvas) by Brown, Ford Madox (1821-93); 68.4x99 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageFord Madox Brown Collection: Plate in faience decoree of the representation of an ascent in balloon

Plate in faience decoree of the representation of an ascent in balloon
JLJ4577751 Plate in faience decoree of the representation of an ascent in balloon. 18th century Private Collection by Unknown artist

Background imageFord Madox Brown Collection: Haydee discovering the body of Don Juan Illustration for Lord Byrons song 2

Haydee discovering the body of Don Juan Illustration for Lord Byrons song 2
JLJ4574505 Haydee discovering the body of Don Juan Illustration for Lord Byrons song 2. Painting by Ford Madox Brown (1821-1893) 1878 Sun

Background imageFord Madox Brown Collection: Untitled (gelatin silver print)

Untitled (gelatin silver print)
660337 Untitled (gelatin silver print) by Atget, Eugene (1856-1927); Private Collection; Photo eChristies Images; French, out of copyright

Background imageFord Madox Brown Collection: King Renes Honeymoon, 1864 (watercolour)

King Renes Honeymoon, 1864 (watercolour)
659930 King Renes Honeymoon, 1864 (watercolour) by Brown, Ford Madox (1821-93); 26.7x17.8 cm; Private Collection; (add.info.: King Renes Honeymoon. Ford Madox Brown (1821-1893). Watercolour

Background imageFord Madox Brown Collection: Palm Trees (pencil on paper)

Palm Trees (pencil on paper)
5889068 Palm Trees (pencil on paper) by Millais, John Everett (1829-96); 41.9x19.1 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageFord Madox Brown Collection: November, the Sower: Study for a Tile at Queens College Hall, Cambridge

November, the Sower: Study for a Tile at Queens College Hall, Cambridge
5889051 November, the Sower: Study for a Tile at Queens College Hall, Cambridge, 1864 (w/c on paper) by Brown, Ford Madox (1821-93); 25.4x12.7 cm; Private Collection; Photo eThe Ms Gallery

Background imageFord Madox Brown Collection: Off the Coast of Guernsey (oil on canvas)

Off the Coast of Guernsey (oil on canvas)
PNH350789 Off the Coast of Guernsey (oil on canvas) by Brett, John (1831-1902); 18x35.5 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Background imageFord Madox Brown Collection: Italian Fisherboy (oil on paper)

Italian Fisherboy (oil on paper)
PNH350780 Italian Fisherboy (oil on paper) by Brown, Ford Madox (1821-93); 18.4x16.5 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Background imageFord Madox Brown Collection: North Parade, from Bath Illustrated by a Series of Views

North Parade, from Bath Illustrated by a Series of Views
STC103800 North Parade, from Bath Illustrated by a Series of Views, engraved by John Hill (1770-1850) pub. by William Miller, 1804 (aquatint) by Nattes

Background imageFord Madox Brown Collection: Head of a Woman, 1890 (pencil on paper)

Head of a Woman, 1890 (pencil on paper)
AMO101403 Head of a Woman, 1890 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 22.7x20.1 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageFord Madox Brown Collection: The Nosegay, 19th century (w / c on paper)

The Nosegay, 19th century (w / c on paper)
AMO101402 The Nosegay, 19th century (w/c on paper) by Brown, Ford Madox (1821-93); 47.3x32.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageFord Madox Brown Collection: The Annunciation (w / c on paper)

The Annunciation (w / c on paper)
BIR185886 The Annunciation (w/c on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info.: Latin inscription Hail Mary, the Lord is with you ; ); English

Background imageFord Madox Brown Collection: The Spirit of Justice - Study for the Head of a Counsellor, 1844-45 (pencil, pen & ink)

The Spirit of Justice - Study for the Head of a Counsellor, 1844-45 (pencil, pen & ink)
BIR185885 The Spirit of Justice - Study for the Head of a Counsellor, 1844-45 (pencil, pen & ink) by Brown, Ford Madox (1821-93); 31.6x24 cm; Birmingham Museums and Art Gallery; English

Background imageFord Madox Brown Collection: Thomas Jefferson, engraved by Michel Sokolnicki (1760-1816) (engraving) (b / w photo)

Thomas Jefferson, engraved by Michel Sokolnicki (1760-1816) (engraving) (b / w photo)
CHT184347 Thomas Jefferson, engraved by Michel Sokolnicki (1760-1816) (engraving) (b/w photo) by Kosciuszko, Tadeusz (1746-1817) (after); Bibliotheque Nationale, Paris



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